The thrilling follow-up to the bestselling, award-winning novel The Marrow Thieves, about a dystopian world where the Indigenous people of North America are being hunted for their bone marrow and ability to dream. Years ago, when plagues and natural disasters killed millions of people, much of the world stopped dreaming. Without dreams, people are haunted, sick, mad, unable to rebuild. The government soon finds that the Indigenous people of North America have retained their dreams, an ability rumored to be housed in the very marrow of their bones. Soon, residential schools pop up--or are re-opened--across the land to bring in the dreamers and harvest their dreams. Seventeen-year-old French lost his family to these schools and has spent the years since heading north with his new found family: a group of other dreamers, who, like him, are trying to build and thrive as a community. But then French wakes up in a pitch-black room, locked in and alone for the first time in years, and he knows immediately where he is--and what it will take to escape. Meanwhile, out in the world, his found family searches for him and dodges new dangers--school Recruiters, a blood cult, even the land itself. When their paths finally collide, French must decide how far he is willing to go--and how many loved ones is he willing to betray--in order to survive. This engrossing, action-packed, deftly-drawn novel expands on the world of Cherie Dimaline's award-winning The Marrow Thieves, and it will haunt readers long after they've turned the final page.

In Rye, Virginia, just outside Washington, DC, people work hard, kids go to school, and football is big on Friday nights. An eighth-grade English teacher creates an assignment for her class to debate whether Rye's mascot-- an indigenous person-- should stay or change. Now six middle schoolers--all with different backgrounds and beliefs--get involved in the contentious issue that already has the suburb turned upside down with everyone choosing sides and arguments getting ugly.

Melvin Robinson wants a strong, smooth, He-Man voice that lets him say what he wants, when he wants--especially to his crush Millie Takazawa, and Gary Ratliff, who constantly puts him down. But the thought of starting high school is only making his stutter worse. And Melvin's growing awareness that racism is everywhere--not just in the South where a boy his age has been brutally killed by two white men, but also in his own hometown of Spokane--is making him realize that he can't mutely stand by. His new friend Lenny, a fast-talking, sax-playing Jewish boy, who lives above the town's infamous (and segregated) Harlem Club, encourages Melvin to take some risks--to invite Millie to Homecoming and even audition for a local TV variety show. When they play music together, Melvin almost feels like he's talking, no words required. But there are times when one needs to speak up. When his moment comes, can Melvin be as mighty on the outside as he actually is on the inside?

After a girl she knows from school goes missing and is found dead in the Red River, Feather is shocked when the police write it off as a suicide. Then, it's Feather's best friend, Mia, who vanishes — but Mia's mom and abusive stepfather paint Mia as a frequent runaway, so the authorities won't investigate her disappearance either. Everyone knows that Native girls are disappearing and being killed, but no one is connecting the dots. When Feather's brother Kiowa is arrested under suspicion of Mia's abduction, Feather knows she has to clear his name. What Feather doesn't know is that the young serial killer who has taken Mia has become obsessed with Feather, and her investigation is leading her into terrible danger. Using as its background the ongoing circumstance of unsolved cases of missing and murdered Aboriginal women, this fictional thriller set in Winnipeg explores one teenager's response to a system that has long denied and misrepresented the problem.

In a chilling near-future New United States of America, Jo Monarch has grown up in the impoverished borderlands of New Georgia. She's given one chance to change her fate... if she can survive a boy trained to break hearts. Today is the day Jo Monarch has been wishing on the moon about her entire life. It's the day of the Lineup, when she could be selected to leave her life in the Ashes behind. The day she could move across the mountains to a glittering, rich future. Once Jo is plucked from the Lineup, the real test begins. She still needs to impress the New Georgia Reps at tonight's Gala, and her path forward leads straight to Cove Wells. The damaged stepson of one of the Reps, Cove has been groomed as an emotional weapon, taught that love is a tool -- and he's set on breaking Jo's heart next. When a riot breaks out back in the Ashes the night of the Gala, Jo's dreams might all go up in smoke. Can she really have everything she's ever wished for... when it means leaving all her loved ones behind in the fire?

See below for English description. Mia Tang est convaincue qu'elle s'apprête à passer la meilleure année de sa vie. Ses parents et elle sont les heureux propriétaires du Motel Calivista, où elle s'occupe de la réception avec sa meilleure amie, Lupe. Mais il s'avère que la sixième année n'est pas une partie de plaisir. Pourtant, si quelqu'un peut trouver la clé pour traverser les périodes de turbulence, c'est bien Mia Tang! L'histoire de Mia et de sa famille se poursuit dans cette suite puissante, hilarante et résonnante du roman primé Motel Calivista: Réception, Bonjour! Mia Tang thinks she's going to have the best year ever. She and her parents are the proud owners of the Motel Calivista where she gets to run the front desk with her best friend, Lupe. But as it turns out, sixth grade is no picnic. If anyone can find the key to getting through turbulent times, it's Mia Tang! The story of Mia and her family continues in this powerful, hilarious, and resonant sequel to the award-winning novel Motel Calivista: Réception, bonjour!

As the civil rights movement and the fight for voter rights unfold in Selma, Alabama, many things happen inside and outside the Brown family's home that do not have anything to do with the landmark 1965 march across the Edmund Pettus Bridge. Yet the famous outrages which unfold on that span form an inescapable backdrop in this collection of stories. In one, Willie Mae takes it upon herself to offer summer babysitting services to a glamorous single white mother--a secret she keeps from her parents that unravels with shocking results. In another, Willie Mae reluctantly joins her mother at a church rally, and is forever changed after hearing Martin Luther King Jr. deliver a defiant speech in spite of a court injunction. Infused with the vernacular of her Southern upbringing, My Selma captures the voice and vision of a fascinating young person--perspicacious, impetuous, resourceful, and even mystical in her ways of seeing the world around her--who gifts us with a loving portrayal of her hometown while also delivering a no-holds-barred indictment of the time and place.

Le 23 mars 1944, alors que l'Amérique a le regard tourné vers la fin du conflit en Europe, la ségrégation bat son plein en Caroline du Sud. George Stinney, jeune Afro-Américain de 14 ans, est arrêté pour le meurtre de deux fillettes blanches. Le garçon, qui reconnaît les avoir croisées quelques heures avant leur disparition, est le coupable parfait aux yeux du shérif, des parents des victimes et de toute la société. --4e de couverture.

On his first train ride, Michael meets a new friend from the “whites only” car—but finds they can hang together for only part of the trip—in the last story in a trilogy about the author’s life growing up in the segregated South. Michael and his granddaddy always stop working to watch the trains as they rush by their Alabama farm on the way to distant places. One day Michael gets what he’s always dreamed of: his first train journey, to visit cousins in Ohio! Boarding the train in the bustling station, Michael and his grandma follow the conductor to the car with the “colored only” sign. But when the train pulls out of Atlanta, the signs come down, and a boy from the next car runs up to Michael, inviting him to explore. The two new friends happily scour the train together and play in Bobby Ray’s car—until the conductor calls out “Chattanooga!” and abruptly ushers Michael back to his grandma for the rest of the ride. How could the rules be so changeable from state to state—and so unfair? Based on author Michael Bandy’s own recollections of taking the train as a boy during the segregation era, this story of a child’s magical first experience is intercut with a sense of baffling injustice, offering both a hopeful tale of friendship and a window into a dark period of history that still resonates today.

See below for English description. Nous sommes là est un récit poignant sur la communauté noire et sur son héritage. Plein d'assurance, de tendresse et de moments de triomphe, ce récit est une ode inspirante et saisissante à toutes les femmes et tous les hommes noirs qui, au cours de l'histoire, ont contribué de manière décisive à la société. Il partage la beauté et l'excellence de l'histoire de la communauté noire, attestant l'extraordinaire héritage dont les enfants noirs sont issus. Avec fierté, joie et amour, ce livre célèbre les racines et les jours triomphants à venir! Cet album illustré, des mêmes créateurs à succès du New York Times de Parce que ta vie compte, présente la riche histoire et l'héritage des femmes et des hommes noirs, que tous gagnent à connaître! Original title : We Are Here An empowering follow-up to New York Times bestselling picture book Parce que ta vie compte that celebrates the rich history of Black and brown men and women throughout history with soaring language and stunning illustration. Nous sommes là is a poignant story about Black and brown heritage and community. Full of assurance, tenderness, and triumph, the story is an inspirational and arresting ode to all the Black women and men throughout history who have made momentous contributions to society. It shares the beauty and excellence in the history of the Black community, assuring Black and brown children of the extraordinary legacy from which they come. With pride, joy, and love, this book celebrates the roots and the triumphant days to come!

Je m’appelle Ntangu et, tous les matins, je fais l’inventaire de mes piqûres. Pas des piqûres de guêpes ou de moustiques ! C’est plutôt le mot que j’ai trouvé pour représenter les commentaires blessants que je reçois au sujet de ma peau, mes cheveux ou mes origines. Je ne sais pas si les gens réalisent qu’ils me font de la peine. Un album nécessaire sur le racisme ordinaire..

From Children's Literature Legacy Award-winning author Nikki Grimes and acclaimed illustrator Elizabeth Zunon comes an adventurous bath time story. Bath time is full of magic. The faucet flows like a waterfall, the bathroom floor is a distant shore, toy boats sail against the waves. An imagination-fueled adventure on the high seas is just what it takes to get little one clean.

On the Playground: Our First Talk About Prejudice focuses on introducing children to the complex topic of prejudice. Crafted around a narrative between a grade-school-aged child and an adult, this inquiry-focused book will help children shape their understanding of diversity so they are better prepared to understand, and question, prejudice witnessed around them in their day-to-day lives and in the media. Dr. Jillian Roberts discusses types of discrimination children notice, what prejudice means, why it's not okay, how to stand up against it and how kids can spread a message of inclusion and acceptance in the world around them. The World Around Us series introduces children to complex cultural, social and environmental issues that they may encounter outside their homes, in an accessible way. Sidebars offer further reading for older children or care providers who have bigger questions. For younger children just starting to make these observations, the simple question-and-answer format of the main text will provide a foundation of knowledge on the subject matter.

Twin daughters of interracial parents, Keira and Minna have very different skin tones, but it is not until their grandmother enters them in a beauty contest that Minna realizes what life has been like for her more darker-skinned sister.