"Intriguing and captivating."-Celia Rees, author of Witch Child WRONGED. HANGED. ALIVE? (AND TRUE!) Anne can't move a muscle, can't open her eyes, can't scream. She lies immobile in the darkness, unsure if she'd dead, terrified she's buried alive, haunted by her final memory-of being hanged. A maidservant falsely accused of infanticide in 1650 England and sent to the scaffold, Anne Green is trapped with her racing thoughts, her burning need to revisit the events-and the man-that led her to the gallows. Meanwhile, a shy 18-year-old medical student attends his first dissection and notices something strange as the doctors prepare their tools . . . Did her eyelids just flutter? Could this corpse be alive? Beautifully written, impossible to put down, and meticulously researched, Newes from the Dead is based on the true story of the real Anne Green, a servant who survived a hanging to awaken on the dissection table. Newes from the Dead concludes with scans of the original 1651 document that recounts this chilling medical phenomenon. Newes from the Dead is a 2009 Bank Street - Best Children's Book of the Year.

Timothy July has a secret. And it's giving him nightmares. Abigail Tremens has a problem. Her nightmares are haunting her . . . while she is awake. When they team up for a school project, they don't realize that Abigail's past and Timothy's present are making them the target of a terrible curse. A curse that turns their worst fears to reality. But their fears are just the beginning. The curse stems from a strange artifact that gains strength by devouring a human soul. And it needs to feed again. Dan Poblocki has honed his storytelling skills, as every page is filled with chills and thrills in this, his fast-paced second novel. The Nightmarys will have his readers mesmerized until the last page . . . and then sleeping with the lights on.

"A riveting page-turner."--Kirkus reviews Girl in Pieces meets Cracked Up to Be in this raw and candid look at trauma about a girl who is being haunted and stalked by her definitely dead ex-boyfriend. Charlotte survived the car crash that killed her boyfriend Jerry, but that night, everything changed. Charlotte wants desperately to get back to “normal,” --whatever that means now-- and start reconnecting with friends she hasn’t spoken to in months. And she’s trying to work through her PTSD with the help of her therapist, only she can’t tell the truth about Jerry or what really happened the night he died. Just when Charlotte thinks she might be moving on, someone starts sending her threatening messages claiming to be Jerry, saying things only he would know. But it can't really be Jerry because there's no such thing as ghosts. The cold spots in her room must be a draft and the noises she hears must be the house creaking. There has to be a logical explanation for all of it. Because if ghosts are real, then Jerry came back for her—just like he always said he would. Not Dead Enough is a gripping exploration of trauma from debut author Tyffany D. Neiheiser about a girl who realizes that running from the past will help you survive, but everything you try to escape will eventually find you in the end. Perfect for fans of Courtney Summers and Kathleen Glasgow! Authors note included. Praise for Not Dead Enough: "Neiheiser’s prose is confident and compelling . . . a riveting page-turner . . . Goose bump inducing and thought provoking." --Kirkus reviews "A harrowing and fresh foray into the thriller genre." --PW "[A] fast-paced thriller [of how] the unspoken past can rise up and haunt the present." --Booklist "Compelling . . . an unsettling story of the unseen hauntings of trauma and violence." --BCCB

From the award-winning author of The Troubled Girls of Dragomir Academy comes an unforgettable and deeply personal story of the ghosts that surround us--and the ones we carry inside. The house seemed to sit apart from the others on Katydid Street, silent and alone, like it didn't fit among them. For Violet Hart--whose family is about to move into the house on Katydid Street--very little felt like it fit anymore. Like their old home, suddenly too small since her mother remarried and the new baby arrived. Or Violet's group of friends, which, since they started middle school, isn't enough for Violet's best friend, Paige. Everything seemed to be changing at once. But sometimes, Violet tells herself, change is okay. That is, until Violet sees her new room. The attic bedroom in their new house is shadowy, creaky, and wrapped in old yellow wallpaper covered with a faded tangle of twisting vines and sickly flowers. And then, after moving in, Violet falls ill--and does not get better. As days turn into weeks without any improvement, her family growing more confused and her friends wondering if she's really sick at all, she finds herself spending more time alone in the room with the yellow wallpaper, the shadows moving in the corners, wrapping themselves around her at night. And soon, Violet starts to suspect that she might not be alone in the room at all.

In a world divided between magically gifted Oddities and ordinary Never Odds, a 10-year-old orphan desperately attempts to activate her Oddity ahead of her birthday in order to save the magical residents of the retirement home she lives in from a mysterious affliction.

The New York Times bestselling author of Dread Nation makes her middle grade debut with a sweeping tale of the ghosts of our past that won't stay buried, starring an unforgettable girl named Ophie. Ophelia Harrison used to live in a small house in the Georgia countryside. But that was before the night in November 1922, and the cruel act that took her home and her father from her. Which was the same night that Ophie learned she can see ghosts. Now Ophie and her mother are living in Pittsburgh with relatives they barely know. In the hopes of earning enough money to get their own place, Mama has gotten Ophie a job as a maid in the same old manor house where she works. Daffodil Manor, like the wealthy Caruthers family who owns it, is haunted by memories and prejudices of the past--and, as Ophie discovers, ghosts as well. Ghosts who have their own loves and hatreds and desires, ghosts who have wronged others and ghosts who have themselves been wronged. And as Ophie forms a friendship with one spirit whose life ended suddenly and unjustly, she wonders if she might be able to help--even as she comes to realize that Daffodil Manor may hold more secrets than she bargained for.

Ophelia Harrison used to live in a small house in the Georgia countryside. But that was before the night in November 1922, and the cruel act that took her home and her father from her. Which was the same night that Ophie learned she can see ghosts. Now Ophie and her mother are living in Pittsburgh with relatives they barely know. In the hopes of earning enough money to get their own place, Mama has gotten Ophie a job as a maid in the same old manor house where she works. Daffodil Manor, like the wealthy Caruthers family who owns it, is haunted by memories and prejudices of the past--and, as Ophie discovers, ghosts as well. Ghosts who have their own loves and hatreds and desires, ghosts who have wronged others and ghosts who have themselves been wronged. And as Ophie forms a friendship with one spirit whose life ended suddenly and unjustly, she wonders if she might be able to help--even as she comes to realize that Daffodil Manor may hold more secrets than she bargained for.

Some would call River Rydell a 'chosen one': born with the ability to see monsters and travel to a terrifying spirit world called The Otherwoods, they have all the makings of a hero. But River just calls themself unlucky. After all, it's not like anyone actually believes River can see these things-or that anyone even believes monsters exist in the first place. So the way River sees it, it's better to keep their head down and ignore anything Otherwoods related. But The Otherwoods won't be ignored any longer. When River's only friend (and crush) Avery is kidnapped and dragged into The Otherwoods by monsters, River has no choice but to confront the world they've seen only in their nightmares-but reality turns out be more horrifying than they could have ever imagined. With only their cat for protection and a wayward teen spirit as their guide, River must face the monsters of The Otherwoods and their own fears to save Avery and become the hero they were (unfortunately) destined to be.

Ghosts are alive on the island of Nantucket. You can hear them in the wind, and in the creaks of the old homes. They want to be remembered. And, even more, they want to protect what was once theirs. The ghosts seem to have chosen a few local kids to be their messengers -- and to help save the island. But in this mystery, the line between those who haunt and those who are haunted is a thin one -- and the past and the present must come to terms with one another in order to secure the future.

Twelve-year-old Silas is awoken in the dead of night by three menacing horsemen who take his father away. Silas is left shaken, scared, and alone, except for the presence of his companion, Mittenwool . . . who happens to be a ghost. When a pony shows up at his door, Silas makes the courageous decision to leave his home and embark on a perilous journey to find his father. Along the way, he will face his fears to unlock the secrets of his past and explore the unfathomable mysteries of the world around him.

In February 1958, the Hermann family began to experience strange events at their home in Seaford, New York. The first occurrences were harmless--just caps popping off of bottles. But soon things escalated. Dishes were smashed, bookshelves toppled over, and objects moved. Could these unexplained events have been the work of a devious poltergeist named Popper?

When Hattie and Presley meet, it's basically love at first sight. Head-spinning, can't-stop-thinking-about-each-other feelings. Their instant connection seems, at first, implausible. It starts to seem impossible when they realize everything they have in common: both are grieving, living in worlds haunted by ghosts; both have a difficult relationship with one of their parents; and both were forced to give up on their Olympic dreams. Hattie and Presley find comfort in each other, but like the wildfires that surround their California town, the trauma that haunts their pasts can't be held off for long. Can they help each other move through it without breaking apart?

Meet a malicious hand puppet that's as much a part of your body as your hand itself. Attend a school that prepares students not for life, but for death. Witness a boy who lends his baseball glove to a different kid every spring--though he himself died years ago . . .

Lush and chilling, with razor-sharp edges and an iron core of hope, this bewitching, powerhouse novel of two girls fighting back against the violence the world visits on them will stun and enchant readers. Girls have been going missing in the woods... When Natasha's sister disappears, Natasha desperately turns to Della, a local girl rumored to be a witch, in the hopes that magic will bring her sister home. But Della has her own secrets to hide. She thinks the beast who's responsible for the disappearances is her own mother--who was turned into a terrible monster by magic gone wrong. Natasha is angry. Della has little to lose. Both are each other's only hope. From the author of Ghost Wood Song, this eerie contemporary fantasy is perfect for fans of Wilder Girls and Bone Gap. Praise for Ghost Wood Song: "A gorgeous, creepy gem of a book." --Claire Legrand, New York Times bestselling author of Furyborn and Sawkill Girls "It will make your heart dance." --Jeff Zentner, Morris Award-winning author of The Serpent King and Goodbye Days "Strikes the perfect balance of atmospheric chills, dark familial secrets, and a yearning for the warm comforts of home." --Erin A. Craig, New York Times bestselling author of House of Salt and Sorrows "Waters' debut features a bisexual lead with both male and female love interests, an atmospheric southern gothic setting, and, for the musically inclined, lots of folk and bluegrass references." --Booklist "Haunting and alluring." --Kirkus