Maggie Lou, nicknamed "Firefox" for her spirited nature, learns how to box (after first learning to mop the ring after matches), how to build, and how to hunt deer like her family members before her. Even with her younger siblings to annoy her, thanks to the guidance of her female relatives, she continues to grow and learn... all without losing her irrepressible spirit.

Based on ancient Haida narratives, this vibrantly illustrated children's book empowers young people and teaches them to live in harmony with nature. Haida Gwaii is home to a rich and vibrant culture whose origins date back thousands of years. Today, the Haida People are known throughout Canada and the world for their artistic achievements, their commitment to social justice and environmental protection, and their deep connection to the natural world. Embedded in Haida culture and drawn from ancient oral narratives are a number of Supernatural Beings, many of them female, who embody these connections to the land, the sea, and the sky. Magical Beings of Haida Gwaii features ten of these ancient figures and presents them to children as visually engaging, empowering, and meaningful examples of living in balance with nature. Developed by renowned Haida activist, lawyer, performer, and artist Terri-Lynn Williams-Davidson and Haida educator Sara Florence Davidson, this book challenges stereotypes, helps advance reconciliation, and celebrates Indigenous identity and culture.

In the water sat a sturgeon, born there, so they say, thousands of years ago, though the sturgeon themselves have been here for two hundred million years. It was at first a little egg, a big egg, born into the river. Now the sturgeon is back but how did it get here? How did the first sturgeon come to be? Earth and the river, moons and suns and clouds. Time, thousands of years and the Skwó:wech has seen it all. But what gift does the sturgeon have for us?

A bilingual (English and Inuktitut) traditional Inuit story from the North Baffin region. Aulaja must stay alone in camp with only her dog to protect her. She has heard about dangerous land spirits from her father, but she has no idea she will soon encounter one-Mahahaa the Tickler, a being from Inuit mythology who can tickle you to death.

Tsalagi should never have to live on human blood, but sometimes things just happen to sixteen-year-old girls. Making her YA debut, Cherokee writer Andrea L. Rogers takes her place as one of the most striking voices of the horror renaissance that has swept the last decade. Horror fans will get their thrills in this collection - from werewolves to vampires to zombies - all the time-worn horror baddies are there. But so are predators of a distinctly American variety - the horrors of empire, of intimate partner violence, of dispossession. And so too the monsters of Rogers' imagination, that draw upon long-told Cherokee stories - of Deer Woman, fantastical sea creatures, and more. Following one extended Cherokee family across the centuries, from the tribe's homelands in Georgia in the 1830s to World War I, the Vietnam War, our own present, and well into the future, each story delivers a slice of a particular time period that will leave readers longing for more. Alongside each story, Cherokee artist and language technologist Jeff Edwards delivers haunting illustrations that incorporate Cherokee syllabary. But don't just take it from us - award-winning writer of The Only Good Indians and My Heart is a Chainsaw Stephen Graham Jones says that "Andrea Rogers writes like the house is on fire and her words are the only thing that can put it out." Man-Made Monsters is a masterful, heartfelt, haunting collection ripe for crossover appeal - just don't blame us if you start hearing things that go bump in the night.

Just when you think you have nothing left to lose, they come for your dreams. Humanity has nearly destroyed its world through global warming, but now an even greater evil lurks. The indigenous people of North America are being hunted and harvested for their bone marrow, which carries the key to recovering something the rest of the population has lost: the ability to dream. In this dark world, Frenchie and his companions struggle to survive as they make their way up north to the old lands. For now, survival means staying hidden - but what they don't know is that one of them holds the secret to defeating the marrow thieves.

The thrilling follow-up to the bestselling, award-winning novel The Marrow Thieves, about a dystopian world where the Indigenous people of North America are being hunted for their bone marrow and ability to dream. Years ago, when plagues and natural disasters killed millions of people, much of the world stopped dreaming. Without dreams, people are haunted, sick, mad, unable to rebuild. The government soon finds that the Indigenous people of North America have retained their dreams, an ability rumored to be housed in the very marrow of their bones. Soon, residential schools pop up--or are re-opened--across the land to bring in the dreamers and harvest their dreams. Seventeen-year-old French lost his family to these schools and has spent the years since heading north with his new found family: a group of other dreamers, who, like him, are trying to build and thrive as a community. But then French wakes up in a pitch-black room, locked in and alone for the first time in years, and he knows immediately where he is--and what it will take to escape. Meanwhile, out in the world, his found family searches for him and dodges new dangers--school Recruiters, a blood cult, even the land itself. When their paths finally collide, French must decide how far he is willing to go--and how many loved ones is he willing to betray--in order to survive. This engrossing, action-packed, deftly-drawn novel expands on the world of Cherie Dimaline's award-winning The Marrow Thieves, and it will haunt readers long after they've turned the final page.

While First Nations cultural practice still honours traditional forms, contemporary indigenous artists have diversified into many areas. The fourteen contributors whose essays make up Me Artsy pursue such varied disciplines as filmmaking, gourmet cuisine, blues piano, fashion design, acting, writing and painting as well as traditional drumming and storytelling. Their concerns include the eternal ones that occupy artists everywhere—how does one get started, where do you find inspiration, how does one make a living. What makes Me Artsy special is that all these concerns are always overlaid with an awareness of First Nations identity. The essays explore many common themes around the role of art in First Nations communities, including the importance of art for creating social change, the role of art in representing Native culture and the fusion of traditional and contemporary techniques. On a more personal level, the essays describe the significance of art in the lives of the contributors, along with their sometimes unlikely journeys to success, stories that are often touched with humour and humility. Chef David Wolfman describes gruelling years in the kitchens of the exclusive National Club; filmmaker Zacharias Kunuk discusses leaping into his first feature film without knowing how to finance it; and playwright Drew Hayden Taylor tells the story of putting a bullet through his first play and burying it in his yard. Other contributors include actor/playwright Monique Mojica, painter Marianne Nicolson, fashion designer Kim Picard, painter Maxine Noel, blues pianist Murray Porter, scholar Karyn Recollet, dancer/choreographer Santee Smith, director/actor Rose Stella, traditional drummer Steve Teekens, writer and storyteller Richard Van Camp and manga artist Michael Nicoll Yahgulanaas.

A stunning new new novel that has all the timeless qualities of a classic, as it tells the universal story of a father/son struggle in a fresh, utterly memorable way, set in dramatic landscape of the BC Interior. --from the publisher.

"This beautiful book can completely change how we approach science, using both Indigenous and Western perspectives, and how we can work collaboratively to help foster balance in nature." —Suzanne Simard, bestselling author of Finding the Mother Tree A farm kid at heart, and a Nlaka'pamux woman of mixed ancestry, Dr. Jennifer Grenz always felt a deep connection to the land. However, after nearly two decades of working as a restoration ecologist in the Pacific Northwest, she became frustrated that despite the best efforts of her colleagues and numerous volunteers, they weren't making the meaningful change needed for plant, animal and human communities to adapt to a warming climate. Restoration ecology is grounded in an idea that we must return the natural world to an untouched, pristine state, placing humans in a godlike role—a notion at odds with Indigenous histories of purposeful, reciprocal interaction with the environment. This disconnect sent Dr. Grenz on a personal journey of joining her head (Western science) and her heart (Indigenous worldview) to find a truer path toward ecological healing. In Medicine Wheel for the Planet, building on sacred stories, field observations and her own journey, Dr. Grenz invites readers to share in the teachings of the four directions of the medicine wheel: the North, which draws upon the knowledge and wisdom of elders; the East, where we let go of colonial narratives and see with fresh eyes; the South, where we apply new-old worldviews to envision a way forward; and the West, where a relational approach to land reconciliation is realized. Eloquent, inspiring and disruptive, Medicine Wheel for the Planet circles toward an argument that we need more than a singular worldview to protect the planet and make the significant changes we are running out of time for.

Meet Buffy Sainte-Marie, music legend, activist and teacher. Buffy Sainte-Marie is not exactly sure where or when she was born, but it was likely the Piapot Reserve in the Qu'Appelle Valley, Saskatchewan. As a baby she was adopted out to a white family in the United States. But nothing would stop Buffy from connecting to her roots and sharing the power and the beauty of her heritage with the world. As a musician, Buffy's songs have inspired three generations of fans, garnering international acclaim and many awards. She's a peace activist, an advocate for Indigenous-focused education, and a tireless supporter of Indigenous rights.

Meet Tom Longboat, the Onondaga runner who broke world records . . . on his own terms! On April 19, 1907, a hundred thousand people lined up to watch the eighth running of the Boston Marathon. At the start of the race, more than one hundred runners surged forward, and at the end, Tom Longboat won it in a record-breaking 2 hours, 24 minutes and 24 seconds. He became the most famous runner in the world, yet faced scrutiny and criticism of every part of his life, from his revolutionary training techniques to his Indigenous heritage. This picture book will introduce young readers to a brave and fascinating man whose legacy as Canada's foremost distance runner continues to be recognized to this day. This new biography series features accessible text, full-colour illustrations, with historical notes and timelines that provide even more information on Tom Longboat's background and incredible accomplishments.

Mother Earth, we come from her, we go to her, without her we wouldn't be here, she gives all of us life and because of her we are all one family. In many segments of Indigenous life we speak of Mother Earth, Father Sky, Grandfather Sun, and Grandmother Moon. Meet Your Family is a rhythmic poem that will enlighten readers on how to view these important figures and share a greater concept of seeing the world as our natural family. Meet Your Family is presented in both English and Ojibway.

"In seven days, she will fall," say the crows. "As she falls, so do we all." Who falls? wonders M. The ominous, supernatural message starts M on a quest that could save more than one life. But what if the person in danger happens to be her nemesis? Along the way, M meets up with Gray, a Cree boy with his own hopes of saving a runaway Indigenous girl. As they begin a wild journey through the city and into the bleak northern woods, M grasps for the true meaning behind the crows' messages and pushes deeper and deeper into worlds she doesn't know or understand, holding fast to a questionable dream that she might be a modern-day Joan of Arc.