See below for English description. L'histoire édifiante d'une jeune fille qui se rapproche de sa grand-mère bien-aimée grâce à l'art du perlage. En se réveillant par un matin maussade, Kaiah se sent aussi froide et grise que le jour. Sa grand-maman lui manque, et elle a envie de la retrouver. Sans sa grand-mère, la vie de Kaiah n'a pas de sens. Heureusement, Kaiah peut ouvrir sa précieuse boîte de perles, et grâce à la beauté qu'elle renferme, la jeune fille retrouve sa grand-mère dans un jardin plein de couleurs et d'amour. Cette magnifique histoire de l'autrice primée Melanie Florence célèbre l'amour universel entre une grand-mère et sa petite-fille. Illustré par Karlene Harvey, une brillante artiste Tsilhqot'in et Syilx, ce livre comporte également un supplément d'information sur la tradition autochtone du perlage. An uplifting story of a girl's connection to her beloved grandmother through the beadwork art they created together. As she wakes up one dull morning, Kaiah feels as cold and grey as the day. She longs to be with her grandmother again. Kaiah's life doesn't feel right without her. But through Kaiah's treasured bead box -- and the beauty it holds -- she is with her grandmother, in a garden that is full of colour and love. This beautiful story from award-winning author Melanie Florence celebrates the universal love between grandmother and child. Featuring bright, breathtaking illustrations from Tsilhqot'in and Syilx artist Karlene Harvey, the book also features back matter about the Indigenous tradition of beading. Original title: Kaiah's Garden

Irene, huit ans et ses deux frères sont forcés de quitter leur famille pour aller dans un pensionnat loin de chez eux. C'est la loi! Dans cet endroit austère, on les empêche de parler leur langue et on leur donne un numéro en guise de nom. À la fin de l'année scolaire, les enfants rentrent à la maison et informent leurs parents des conditions exécrables dans lesquelles ils doivent vivre au pensionnat. Trouveront-ils un moyen de cacher les enfants afin qu'ils n'y retournent jamais? Inspiré de la vie de la grand-mère de Jenny Kay Dupuis, Je ne suis pas un numéro met en lumière une sombre partie de l'histoire du Canada de manière à sensibiliser les enfants et à leur permettre d'en tirer une leçon humaine et historique.  

Dynamic and diverse, Coast Salish culture is bound together by shared values and relations that generate a resilient worldview. Jesintel--"to learn and grow together"--characterizes the spirit of this book, which brings the cultural teachings of nineteen elders to new generations. Featuring interviews that share powerful experiences and stories, Jesintel illuminates the importance of ethical reciprocal relationships and the interconnectedness of places, land, water, and the spirit within all things. Elders offer their perspectives on language revitalization, Coast Salish family values and naming practices, salmon, sovereignty, canoe racing, and storytelling. They also share traumatic memories, including of their boarding school experiences and the epidemics that ravished their communities. Jesintel highlights the importance of maintaining relations and traditions in the face of ongoing struggles. Collaboration is at the heart of this work and informs how the editors and community came together to honor the boundless relations of Coast Salish people and their territories.

The affirming story of how a contemporary Native American girl turns to her family and community to help her dance find a voice. Jenna loves the tradition of jingle dancing that has been shared by generations of women in her family, and she hopes to dance at the next powwow. But she has a problem--how will her dress sing if it has no jingles? The cone-shaped jingles sewn to Grandma Wolfe's dress sing tink, tink, tink, tink. Jenna's heart beats to the brum, brum, brum, brum of the powwow drum as she daydreams about the clinking song of her grandma's jingle dancing. The warm, evocative watercolors of Cornelius Van Wright and Ying-Hwa Hu complement author Cynthia Leitich Smith's lyrical text in this picture book. Perfect for classroom and library sharing.

Jo Jo Makoons Azure is a spirited seven-year-old who moves through the world a little differently than anyone else on her Ojibwe reservation. It always seems like her mom, her kokum (grandma), and her teacher have a lot to learn--about how good Jo Jo is at cleaning up, what makes a good rhyme, and what it means to be friendly. Even though Jo Jo loves her #1 best friend Mimi (who is a cat), she's worried that she needs to figure out how to make more friends. Because Fern, her best friend at school, may not want to be friends anymore...

Filled with lots of glitter, raised pinkies, and humorous misunderstandings, this second book in the Jo Jo Makoons series--written by Dawn Quigley and illustrated by Tara Audibert--is filled with the joy of a young Ojibwe girl discovering her very own special shine from the inside out. First grader Jo Jo Makoons knows how to do a lot of things, like how to play jump rope, how to hide her peas in her milk, and how to be helpful in her classroom. But there's one thing Jo Jo doesn't know how to do: be fancy. She has a lot to learn before her Aunt Annie's wedding! Favorite purple unicorn notebook in hand, Jo Jo starts exploring her Ojibwe community to find ways to be fancy. The Heartdrum imprint centers a wide range of intertribal voices, visions, and stories while welcoming all young readers, with an emphasis on the present and future of Indian Country and on the strength of young Native heroes. In partnership with We Need Diverse Books.

Oh, snow day, snow day, what a very fun no-school day! Jo Jo Makoons is back in the third book in this favorite chapter book series, and she's planning the very best version of the winter Olympics that her Ojibwe community has ever seen... Jo Jo Makoons has noticed that the family members she loves most--Mama, Kokum, and even her cat, Mimi--all have their own ways of being healthy. So when Teacher says that their class will be learning about healthy habits, Jo Jo is ready to be neighborly by helping everyone around her be healthy too. After a snowstorm shuts down her Ojibwe reservation, Jo Jo uses her big imagination and big personality to help both Elders and classmates alike. Because after all, being healthy means being together! With her signature heart and hilarity, in this third book in her chapter book series, Jo Jo Makoons shows care for her community as only this vibrant young girl can. The first book in this acclaimed chapter book series was an American Indian Youth Literature Award Honor Book; a best book of the year from Kirkus Reviews, School Library Journal, American Indians in Children's Literature, and the Chicago Public Library; a Charlotte Huck Award Honor Book; and a Cooperative Children's Book Center CCBC Choices selection.

Jo Jo Makoons has noticed that the family members she loves most--Mama, Kokum, and even her cat, Mimi--all have their own ways of being healthy. So when Teacher says that their class will be learning about healthy habits, Jo Jo is ready to be neighborly by helping everyone around her be healthy too. After a snowstorm shuts down her Ojibwe reservation, Jo Jo uses her big imagination and big personality to help both Elders and classmates alike. Because after all, being healthy means being together!

Hockey is a relatively new sport in Canada's North. It wasn't until 2003 that Jordin Kudluk "Thunder" Tootoo became the first Inuk to play in an NHL game. Although hockey is a rough sport to begin with, Jordin Tootoo is known for having to "fight his way through." Jordin has had more than his fair share of fights both on and off the ice. He's had to overcome the social problems that are associated with the North, fight his way through the discrimination and culture shock he encountered after leaving Rankin Inlet and moving to Alberta to play in the Juniors, and see his way through the grief of losing his NHL bound older brother and hero, Terence Tootoo, to suicide in 2002. This new, updated biography explores the struggles and accomplishments of the most recognized role model for young Aboriginal and Inuit people today.

This fictional coming-of-age story traces a young girl's reluctant journey by canoe through the ancestral lands of the Tłı̨chǫ People, as she gradually comes to understand and appreciate their culture and the significance of their fight for self-government. Eleven-year-old Julia has lived in Wekweètì, NWT, since she was four. Although the people of Wekweètì have always treated her as one of their own, Julia sometimes still feels like an outsider, disconnected from the traditions and ancestral roots that are so central to the local culture. When her best friends, Layla and Alice, invite her on a canoe trip, Julia is excited. However, the trip is nothing like she expected. She is afraid of falling off the boat, of bears, and of storms. Layla's grandparents (who Julia calls Grandma and Grandpa) put her to work but won't let her paddle the canoe. While on land Julia would rather goof around with her friends than do chores. Gradually, Grandma and Grandpa show her how to survive on the land and pull her own weight, and share their traditional stories with her. Julia learns to gather wood, cook, clean, and even paddle the canoe, becoming more mature and responsible each day. The journey ends at Behchoko, where the historic Tłı̨chǫ Agreement of 2005 is signed, and the Tłı̨chǫ People celebrate their hard-won right to self-government. Julia is there to witness history. Inspired by true events, this story was written at the request of John B. Zoe, Chief Negotiator of the Tłı̨chǫ Agreement, as a way of teaching the youth of Wekweètì about that landmark achievement. Journal of a Travelling Girlhas been read and endorsed by several Wekweètì community members and Elders. The book will appeal to both Indigenous and non-Indigenous children for its relatable themes of family, loss, coming-of-age, and the struggle to connect with tradition and culture.

Votre parcours apprentissage autour de la Journée du chandail orange. La Journée du chandail orange, une commémoration annuelle qui se tient le 30 septembre, est également connue comme la Journée nationale de la vérité et de la réconciliation. C'est une journée officielle visant à honorer les survivants des pensionnats et leurs familles, et commémorer les enfants qui ne sont pas rentrés chez eux. À la base, elle a été conçue comme une manière de poursuivre les discussions autour de la réalité des pensionnats à Williams Lake et dans la région Cariboo de la Colombie-Britannique, au Canada, mais le mouvement s'est étendu sur l'ensemble du territoire de l'île de la Tortue, et au-delà. Ce manuel cherche à engendrer des alliés qui suivront la voie de la réconciliation et clameront haut et fort que chaque enfant compte. Cette édition spéciale et abrégée du livre primé La Journée du chandail orange: le 30 septembre explore un grand nombre de sujets importants, y compris les conséquences historiques, générationnelles et actuelles des pensionnats sur les peuples autochtones; l'historique du mouvement de la Journée du chandail orange; et la façon dont on peut prendre part à la Journée nationale de la vérité et de la réconciliation. Avec des questions de réflexion en fin de chapitre et avec une série d'oeuvres d'art soumises par des élèves, les lecteurs sont invités à explorer la façon dont ils peuvent, avec d'autres, participer à la réconciliation relative aux pensionnats. 15 % de recettes issues de la vente de ce livre sont versées à la Société du chandail orange.

The sea animals have disappeared, and people are starving. An old couple, once great shamans, are asked to journey to the Mother of the Sea to find out what happened to the animals. But the journey is dangerous and the old woman does not know if she will be able to please the Mother of the Sea and convince her to free the animals the people of her community so desperately need. The Mother of the Sea is an important character in Inuit traditional stories shared across the circumpolar region. Known by many names across various regions of the Arctic, the Mother of the Sea is a powerful woman who can withhold the animals humans need to survive if she is displeased by human behaviour. Only a shaman is able to appease the Mother of the Sea and convince her to release the animals that the hunters so desperately need. This tale shares the specific traditional story of the Mother of the Sea told and retold in Greenland for generations.

Durant l’hiver 1940, Jules et sa famille emménagent chez son oncle dans le nord du Québec. Banni de l’école parce que la maladie qui ronge ses mains fait peur, Jules passe ses journées seul à la maison et rêve de trouver un remède. Un matin, à la recherche de son chien perdu en forêt, il rencontre Asha, une petite fille autochtone, qui a perdu ses parents. Ensemble, ils partent à l’aventure pour retrouver la famille d’Asha, et guérir les mains de Jules. Mais le trajet sera long, parsemé d’embûches et révélera bien des secrets. Ce roman ouvre une fenêtre sur une époque pas si lointaine, et nous offre une histoire remplie de magie et de poésie invitant à la réconciliation. Adaptation du scénario original de Sophie Farkas Bolla et de Sarah Lalonde

Becca watches her grandma create, play, and dance--and she knows that she wants to be just like Grandma. Becca loves spending time with Grandma. Every time Becca says, "Let me try," Grandma shows her how to make something beautiful. Whether they are beading moccasins, dancing like the most beautiful butterflies, or practicing basketball together, Becca knows that, more than anything, she wants to be just like Grandma. And as the two share their favorite activities, Becca discovers something surprising about Grandma.