San Francisco, 1941: America has just declared war on Japan. With a white mother and a Japanese father, Koji Miyamoto quickly realizes that his home is no longer a welcoming one. Streetcars won't stop for Koji, and his classmates accuse him of being an enemy spy. When a letter arrives from the government notifying him that he must go to a relocation center for Japanese Americans, he and his mother are forced to leave everything they know behind. Once there, Koji soon discovers that being half white in the internment camp is just as difficult as being half Japanese in San Francisco. Koji's story, based on true events, is brought to life by Matt Faulkner's cinematic illustrations, which reveal Koji struggling to find his place in a tumultuous world-one where he is a prisoner of war in his own country.

With a white mother and a Japanese father, Koji Miyamoto quickly realizes that his home in San Francisco is no longer a welcoming one after Pearl Harbor is attacked. And once he's sent to an internment camp, he learns that being half white at the camp is just as difficult as being half Japanese on the streets of an American city during WWII. Koji's story, based on true events, is brought to life by Matt Faulkner's cinematic illustrations that reveal Koji struggling to find his place in a tumultuous world-one where he is a prisoner of war in his own country.

“Evocative prose and illustrations bring to life…[the] heart-wrenching decisions and considerations that Japanese Americans had to face…[and] their endurance, sacrifices, and resilience, even as their loyalty was questioned without cause.” —Susan H. Kamei, author of When Can We Go Back to America? Told in a brilliant blend of prose and graphic novel, this unforgettable middle grade story about a Japanese American family during World War II is written and illustrated by Asian/Pacific American Award for Literature winner Matt Faulkner. Manzanar is nothing like home. Yet the relocation center is where Mari and her family have to live, now that the government has decided that Japanese Americans aren’t American enough. Determined to prove them wrong, Mari’s brother Mak has joined the army and is heading off to war. In protest, Mari has stopped talking for the duration of the war. Or at least until Mak comes home safe. Still, Mari has no trouble expressing herself through her drawings. Mak, too, expresses himself in his letters home, first from training camp and later from the front lines of World War II, where he is fighting with the 442nd Regimental Combat Team. But while his letters are reassuring, reality is not: Mak is facing danger at every turn, from racism within the army to violence on the battlefield. In turns humorous and heartbreaking, Mari and Mak’s story will stick with readers long after the last page.