Charles Bender grew up on the White Earth Reservation in Northwestern Minnesota. John Meyers was raised on the Cahuilla reservation in Southern California. Despite their mutual respect for each other's talents and their shared dedication to Native representation in baseball, the media was determined to pit them against each other. However, they never gave up on their dreams of being pro baseball players and didn’t let the supposed rivalry created by the media or the racism they faced within the stadium stop them.

Le recueil Contes de la Tortue regroupe des histoires qui plairont au plus grand nombre ! Onze histoires à dormir debout, onze histoires à partager et à chérir. Chacun des contes a été écrit par un écrivain ou une écrivaine autochtone venant des différentes nations autochtones du Québec. Certaines histoires sont réalistes, d’autres font directement appel à l’imaginaire et au fantastique, mais chacune d’entre elles possède une saveur unique.

Une légende autochtone, Corneille apporte la lumière, est un conte inuit que nous proposons en version française et en dialecte inuktitut. Le livre a aussi un lexique de 15 mots dans les deux langues, ainsi qu’un Saviez-vous que? à propos des Inuits du Canada

An Anishnawbe man, Arthur Copper, decides to repopulate the lakes of his home Territory with manoomin, or wild rice – much to the disapproval of the local non-Indigenous cottagers, in particular the formidable Maureen Poole. Based on real-life events in Ontario’s Kawartha Lakes region, Cottagers and Indians infuses contemporary conflicts between Indigenous and non-Indigenous sensibilities with Drew Hayden Taylor’s characteristic warmth and humour.

Wily trickster Coyote is having his friends over for a little solstice get-together in the woods. A little girl unexpectedly arrives, and leads the friends through the snowy woods to the mall. Coyote shops with abandon, only to discover that filling a shopping cart with goodies is not quite the same thing as actually paying for them, in this witty critique of consumerism and consumption.

“Highly readable and well researched.” —Canada's History In the traditional Algonquian world, the windigo is the spirit of selfishness, which can transform a person into a murderous cannibal. Native peoples over a vast stretch of North America—from Virginia in the south to Labrador in the north, from Nova Scotia in the east to Minnesota in the west—believed in the windigo, not only as a myth told in the darkness of winter, but also as a real danger. Drawing on oral narratives, fur traders' journals, trial records, missionary accounts, and anthropologists’ field notes, this book is a revealing glimpse into indigenous beliefs, cross-cultural communication, and embryonic colonial relationships. It also ponders the recent resurgence of the windigo in popular culture and its changing meaning in a modern context.

Danny Blackgoat is a teenager in 1864 Navajo country when United States soldiers burn down his home, kill his sheep, capture his family, and force them all to walk at gun point to an Army fort far from their homeland. This forced exodus of the Navajo people was called the Long Walk of 1864, and during the journey, Danny is labeled a troublemaker and given the name Fire Eye. Refusing to accept captivity, he is sent to Fort Davis,Texas, a Civil War prisoner outpost. There he battles bullying fellow prisoners, rattlesnakes, and abusive soldiers, until he meets Jim Davis. Davis teaches Danny how to hold his anger and starts him on the road to literacy. In a stunning climax, Davis?ho builds coffins for the dead?ids Danny in a daring and dangerous escape. Set in troubled times, Danny Blackgoat, Navajo Prisoner is the story of one boy? hunger to be free and to be Navajo. A PathFinders novel for reluctant readers.

A tale of how the Seven Sisters, who ran away from a giant bear, were saved when their prayer was answered. The Seven Sisters shine on us every night as the Pleiades.

From Oceania to North America, indigenous peoples have created storytelling traditions of incredible depth and diversity. The term 'indigenous storywork' has come to encompass the sheer breadth of ways in which indigenous storytelling serves as a historical record, as a form of teaching and learning, and as an expression of indigenous culture and identity. But such traditions have too often been relegated to the realm of myth and legend, recorded as fragmented distortions, or erased altogether. Decolonizing Research brings together indigenous researchers and activists from Canada, Australia and New Zealand to assert the unique value of indigenous storywork as a focus of research, and to develop methodologies that rectify the colonial attitudes inherent in much past and current scholarship. By bringing together their own indigenous perspectives, and by treating indigenous storywork on its own terms, the contributors illuminate valuable new avenues for research, and show how such reworked scholarship can contribute to the movement for indigenous rights and self-determination.