"Youll wonder how anything can be so sad and so funny at the same time." Lev Grossman, Time Inspired by a sixteenth-century Zen monks painting of a hundred demons chasing each other across a long scroll, acclaimed cartoonist Lynda Barry confronts various demons from her life in seventeen full-color vignettes. In Barrys hand, demons are the life moments that haunt you, form you, and stay with you: your worst boyfriend; kickball games on a warm summer night; watching your baby brother dance; the smell of various houses in the neighborhood you grew up in; or the day you realize your childhood is long behind you and you are officially a teenager. As a cartoonist, Lynda Barry has the innate ability to zero in on the essence of truth, a magical quality that has made her book One! Hundred! Demons! an enduring classic of the early twenty-first century. In the books intro, however, Barry throws the idea of truth out of the window by asking the reader to decide if fiction can have truth and if autobiography can have a fiction, a hybrid that Barry coins " autobiofictionalography. " As readers get to know Barrys demons, they realize that the actual truth no longer matters because the universality of Barrys comics, true or untrue, reigns supreme.

Verloc Nim has traveled with his brother Conrad to the desert planet Ona(ji) to recover the mysterious biorobotic experiment aama. The planet is home to an abandoned group of scientists who have been left to their fate, and in this second volume of Frederik Peeters's critically acclaimed science-fiction series, Conrad sets up an expedition to find the professor who has taken aama to another part of the planet. With the assistance of their robot-ape Churchill, Verloc and Conrad embark on a journey that brings spectacular discoveries and unsettling encounters.

For the first time, the history of typography is told in comic strip form   Typography confronts us everywhere: in books and newspapers, on road signs, in product packaging, and on political leaflets. It is ubiquitous to the point of mundanity. But while the typeface might be secondary to the message, it remains crucial to the way we respond. Fonts spark emotions; they evoke eras and ideologies. Some, like Edward Johnson’s for the London Underground, have become iconic. Others, like Comic Sans, are loathed. Each one has its own place in history.   The ABC of Typography traces 3,500 years of type from Sumerian pictographs through Roman calligraphy to Gutenberg, the Bauhaus, and beyond. Brimming with insight and anecdote, this witty and well-informed graphic guide explores the historical, technological, and cultural shifts that have defined the look of the words we read.  

The life of Agatha Christie was as mysterious and eventful as her fiction. This beautifully illustrated graphic novel traces the life of the Queen of Whodunnit from her childhood in Torquay, England, through a career filled with success, mischief, and adventure, to her later years as Dame Agatha. Revealing a side to Christie that will surprise and delight many readers, Agatha introduces us to a free-spirited and thoroughly modern woman who, among other things, enjoyed flying, travel, and surfing. Centering around an episode in 1926 when Christie staged her own disappearance, Agatha is an intriguing, entertaining, and funny exploration of the 20th century’s best-loved crime novelist.

Fought in the winter of 1944-1945, the coldest season in over 100 years, the Battle of the Bulge still ranks as the single largest battle ever fought by the United States Army. Thirty-one American divisions - fully one-third of the U.S. Army raised during World War II - saw action in this battle. This battle was truly a test: could this conscript army from a pacifistic democracy defeat the best remaining men and machines that Germany's totalitarian government could produce? In Battle of the Bulge, author and artist Wayne Vansant brings readers into the frozen foxholes, haunting forests, and devastated villages of the Ardennes during that freezing cold winter. With meticulous historical accuracy and hand-drawn visuals that can tell a story in ways words alone cannot, Vansant recounts the Bulge with insightful detail, replaying the thrusts and volleys of both the combined Allied and German forces during the tumultuous battle. This is a story of panic, fear, and physical misery; a story of how a generation of draftees, National Guardsmen, and a small core of regular officers and NCOs faced those three elements as snow piled around their foxholes and the incessant drumming of artillery splintered the woods that gave them shelter. It is the story of men, frozen and hurting, far from home and holding little hope of seeing it again until the killing finally ended. Above all, TheBattle of the Bulge is a story of incredible triumph, now beautifully illustrated in graphic novel format for the first time.

This extraordinary graphic novel is a powerful denunciation of sexual violence against women. As seen through the eyes of a twelve-year-old girl named Una, it takes place in northern England in 1977, as the Yorkshire Ripper, a serial killer of prostitutes, is on the loose and creating panic among the townspeople. As the police struggle in their clumsy attempts to find the killer, and the headlines in the local paper become more urgent, a once self-confident Una teaches herself to "lower her gaze" in order to deflect attention from boys. After she is "slut-shamed" at school for having birth control pills, Una herself is the subject of violent acts for which she comes to blame herself. But as the police finally catch up with and identify the killer, Una grapples with the patterns of behaviour that led her to believe she was to blame. Becoming Unbecoming combines various styles, press clippings, photo-based illustrations, and splashes of colour to convey young Una's sense of confusion and rage, as well as sobering statistics on sexual violence against women. The book is a no-holds-barred indictment of sexual violence against women and the shame and blame of its victims that also celebrates the empowerment of those able to gain control over their selves and their bodies.

The author describes her experiences as a young Vietnamese immigrant, highlighting her family's move from their war-torn home to the United States in graphic novel format.

Swimsuit season is coming up! Better get beach-body ready! Work on those abs! Lift those butts! ...Um, or how about never mind to all that and just be a lump. Big Mushy Happy Lump! Sarah Andersen's hugely popular, world-famous Sarah's Scribbles comics are for those of us who boast bookstore-ready bodies and Netflix-ready hair, who are always down for all-night reading-in-bed parties and extremely exclusive after-hour one-person music festivals. In addition to the most recent Sarah's Scribbles fan favorites and dozens of all-new comics, this volume contains illustrated personal essays on Sarah's real-life experiences with anxiety, career, relationships and other adulthood challenges that will remind readers of Allie Brosh's Hyperbole and a Half and Jenny Lawson's Let's Pretend This Never Happened. The same uniquely frank, real, yet humorous and uplifting tone that makes Sarah's Scribbles so relatable blooms beautifully in this new longer form.

The nineteenth-century countercultures that came to define the bohemian lifestyle spanned both sides of the Atlantic, ranging from Walt Whitman to Josephine Baker, and from Gertrude Stein to Thelonius Monk. Bohemians is the graphic history of this movement and its illustrious figures, recovering the utopian ideas behind millennial communities, and covering the rise of Greenwich Village, the multiracial and radical jazz world, and West Coast and Midwest bohemians, among other scenes. Drawn by an all-star cast of comics artists, including rising figures like Sabrina Jones, Lance Tooks, and Summer McClinton, alongside established artists like Peter Kuper and Spain Rodriguez, Bohemians is a broad and entertaining account of the rebel impulse in American cultural history. featuring work by Spain Rodriguez, Sharon Rudahl, Peter Kuper,  Sabrina Jones, David Lasky, Afua Richardson, Lance Tooks, Milton Knight, and others. The ebook edition is expanded from the paperback edition, and includes additional chapters on the swing music scene, La Boheme and midwest bohemians, as well as expanded material on the Greenwich Village intellectuals, Walt Whitman and Harlem jazz club Minton's Playhouse.

A haunting portrait of millennial alienation, tinged with body horror and Greek tragedy, glamour and terror — Bottled is a gripping debut from Australian graphic novelist Chris Gooch. What are friends for? Jane is sick of her dead-end life in the suburbs and desperate for a change. Her old schoolmate Natalie made it out, working in Japan as a fashion model. Now, as Natalie comes back to town on business, Jane sees a way for her friend to do her a favor… whether she likes it or not. Shortlisted for the 2018 Ledger Award for Excellence in Australian Comics and Graphic Novels

California Dreamin' from Pénélope Bagieu depicts Mama Cass as you've never known her, in this poignant graphic novel about the remarkable vocalist who rocketed The Mamas & the Papas to stardom. Before she was the legendary Mama Cass of the folk group The Mamas and the Papas, Ellen Cohen was a teen girl from Baltimore with an incredible voice, incredible confidence, and incredible dreams. She dreamed of being not just a singer but a star. Not just a star-a superstar. So, at the age of nineteen, at the dawn of the sixties, Ellen left her hometown and became Cass Elliot. At her size, Cass was never going to be the kind of girl that record producers wanted on album covers. But she found an unlikely group of co-conspirators, and in their short time together this bizarre and dysfunctional band recorded some of the most memorable songs of their era. Through the whirlwind of drugs, war, love, and music, Cass struggled to keep sight of her dreams, of who she loved, and-most importantly-who she was.

The iconic author of My New York Diary returns with a collection of dreamy, collaged photo comics Julie Doucet is an artist who has mastered many voices and styles, from her landmark and medium-defining early work in comics with her comic book series Dirty Plotte and the classic graphic novel My New York Diary, to her linocut and collage work in Lady Pep and Long Time Relationship . Most recently, Doucet has focused primarily on collage, crafting impeccable zines, prints, and other ephemera. In Carpet Sweeper Tales, her first new book in almost a decade, we see this multifaceted artist combine her many talents into one genre-defying masterwork. Though Doucet stopped drawing comics more than ten years ago, here she revisits the art form, pulling images from 1970s Italian fumetti or photonovels to create her own collage comics. Using vintage women's and home decorating magazines, Doucet collages a unique dialogue of love and travel between characters sitting in classic cars, driving through cities and pristine countryside. This book is the first to combine Doucet's love of collage with her gift at comics storytelling. The result is a collection of lighthearted stories that play upon the disconnects between 1970s imagery and our modern world. Lost in translation, the dialogue is stilted, the characters alien, the mood always playful. Carpet Sweeper Tales is a milestone in a career filled with milestone achievements.