Still crazy after all these years! Behold Wanda and Darryl MacPherson as they navigate the chaos of modern parenting. For more than 25 years, the MacPherson family has brought the joy, humor, and poignancy of raising three children to funny pages worldwide in the popular comic strip, Baby Blues. No Yelling! reveals the sticky underbelly of parenting, shining a comedic light on everything from dealing with picky eaters to too much screen time. From gargantuan messes to legendary sibling disputes, readers will love following along as the MacPhersons--Darryl, Wanda, and children Zoe, Hammie, and Wren--overcome many of life's hurdles. No Yelling! offers a perceptive glimpse into the lives of modern parents, complemented by witty and informative commentary from the co-creators themselves. This collection will appeal to anyone who has kids or who remembers what it was like to be one.

This graphic novel set pairs two psychological suspense novels, each featuring the engrossing artwork of an acclaimed artist. In The Broadcast, a family in the countryside begins to fear for their lives after hearing Orson Welles’s historic “The War of the Worlds” radio program. And when their neighbors arrive at the door seeking help, the tension of the day brings to the surface long-suppressed emotions and conflicts as well as a violent reckoning on a dark and stormy night. The novel Family Ties finds an aging Alaskan crime boss looking to retire and divide his empire among his heirs. But when his idealistic son refuses the inheritance, the old man disowns him. This proves to be a fatal mistake, as his cold-blooded daughters use their new-found power and influence against him. An epic tale of betrayal and loss, this engrossing graphic novel is a mix of King Lear and The Godfather set in Alaska. Together, these thrillers are not for the faint of heart.

Intimate vignettes of women coming out On Loving Women is a new collection of stories about coming out, first love, and sexual identity by the&nbspanimator Diane Obomsawin. With this work, Obomsawin brings her gaze to bear on subjects closer to home-her friends' and lovers' personal accounts of realizing they're gay or first finding love with another woman. Each story is a master class in reaching the emotional truth of a situation with the simplest means possible. Her stripped-down pages use the bare minimum of linework to expressively reveal heartbreak, joy, irritation, and fear. &nbsp&nbsp&nbsp&nbsp On Loving Women focuses primarily on adolescence-crushes on high school teachers, awkwardness on first dates-but also addresses much deeper-seated difficulties of being out: fears of rejection and of not being who others want one to be. Within these pages, Obomsawin has forged a poignant, powerful narrative that speaks to the difficulties of coming out and the joys of being loved. &nbsp&nbsp&nbsp&nbsp Her first English-language work, Kaspar -a retelling of the life of Kaspar Hauser, the mysterious German youth who was raised in isolation and murdered just a few years after emerging from his imprisonment-was critically lauded for its simple but expressive storytelling, and for the way it portrayed traumatic material compassionately but without self-indulgence.

A David and Goliath story, On The Books is the first-hand comic strip account of the labor struggle at NYC's legendary Strand bookstore in the summer of 2012. Told by Greg Farrell-an employee of the store who interviewed numerous other members of the staff-the book examines the motives and actions of those involved, including the store, the staff, the union local, and the people of New York City. Through interstitial comic portraits Farrell gives voice to his comrades, who often share a nuance of the story that would have otherwise gone overlooked and provide a depth of opinion and fairness to accompany Farrell's often very personal interpretation of events. In ten short chapters the book explores at once the inner workings of our national retail environment, the struggle to exist within it as a young working person, the current state of the book trade, and the impact of the economic recession on all of these factors.

A collection of wry, meditative comics from the cartoonist and Lemony Snicket illustrator In what has become his calling card, the cartoonist Seth lovingly and exquisitely designs Palookaville #22, adorning the cover with green foil, and the interior with gatefolds and ornate endpapers. On sumptuous display is Seth's continual exploration of the past and the search for resonance in the dusty corners of his consciousness. In three separate sections, this bittersweet reconciliation with the past and bygone eras manifests both in his comics and his non-comics art. Readers will return to the world of Dominion, where Abe and Simon Matchcard of Clyde Fans are engaged in a war of the words over the slow, painful disintegration of their family business. Their disagreement leads Abe to visit an old flame and further ensue in a battle of memories, in the conclusion of part four of Seth's long running and acclaimed narrative. In chapter two of his autobiographical serial "Nothing Lasts", Seth revisits his small town Ontario childhood. He explores his town's library, drug store, and post office, places whose daily presence in his young life provided comfort and stability amid the school taunts, the many moves Seth's family endured, and his parents' unhappy marriage. Each volume of Palookaville treats readers to a new facet of Seth's creative output. Volume 22 features a photo essay of the fictional history he created for the actual Crown Barber Shop in Guelph, Ontario, owned and operated by his wife Tania, complete with a comic on the art of barbering. The Palookaville digest is the grand endeavour of one of Canada's greatest artists.

“A dead-serious thriller (with a funny bone)” (The New York Times Book Review), from the author of the New York Times bestselling Spellman Files series, comes the story of a woman who creates and sheds new identities as she crisscrosses the country to escape her past. Forty-eight hours after leaving her husband’s body at the base of the stairs, Tanya Dubois cashes in her credit cards, dyes her hair brown, demands a new name from a shadowy voice over the phone, and flees town. It’s not the first time. She meets Blue, a female bartender who recognizes the hunted look in a fugitive’s eyes and offers her a place to stay. With dwindling choices, Tanya-now-Amelia accepts. An uneasy―and dangerous―alliance is born. It’s almost impossible to live off the grid in the twenty-first century, but Amelia-now-Debra and Blue have the courage, the ingenuity, and the desperation, to try. Hopscotching from city to city, Debra especially is chased by a very dark secret. From heart-stopping escapes and devious deceptions, we are left to wonder…can she possibly outrun her past? The Passenger’s white-knuckled plot and unforeseeable twists make one thing for certain: the ride will leave you breathless. “When the answers finally come, they are juicy, complex, and unexpected. The satisfying conclusion will leave readers rethinking everything and immediately turning back to the first page to start again. Psychological suspense lovers will tear through this thriller” (Library Journal, starred review).

Heroism doesn't come cheap, so when superheroes borrow money to finance their genetic enhancements, robotic suits, or crime-fighting supercomputers, their debts make student loans look like I.O.U.'s. Enter the Paybacks, a repo squad composed of bankrupt former heroes like Night Knight and Miss Adventure, here to foreclose on everybody's secret lairs. But now the Paybacks have discovered a fate far worse than debt: a murderer is on the loose . . . and it just may be one of their own. This volume collects issues #1 - #4 ofThe Paybacks, the Dark Horse superhero comedy series from the team that delivered the acclaimed comics series, Buzzkill!

Our series of special slipcased gift sets of the most visually opulent comic strip in the medium's history, based on the King Arthur mythos, continues with Vols. 13-15 (1961-1966).

A humorous yet substantive introduction to the world’s religions and their concepts   Explaining the five major religions and modern spirituality in clear, colorful chapters, this illustrated primer is a great way to introduce a complex topic. In her easily accessible style, Margreet de Heer explores religious history and practices in an unbiased way and with a dash of humor, and makes it approachable for those with little knowledge of the subject. It offers a fresh look from different perspectives on the phenomenon of religion; the backgrounds and history of Judaism, Christianity, Islam, Hinduism, and Buddhism; and makes the point that religion is something that should unite us, not drive us apart.

French graphic novelist Ludovic Debeurme returns with a devastating sequel to his prize-winning graphic novel LUCILLE. While Lucille moves back in with her overbearing mother and Arthur serves time in prison for murder, new character Renée becomes obsessed with a married jazz musician twice her age. Debeurme's haunting border-less panels follow these three lovers between dreams and reality, twining their stories together into a poignant and universal search for love.

Rick Rouse is a US Army deserter who, after running away to China, gets a job at Fengxian Amusement Park—a family destination heavily “inspired” by Western culture, featuring Rambi (the deer with a red headband), Ratman (the caped crusader with a rat’s tail), Bumbo (small ears and a big behind), and dozens of other original characters. The park’s general manager is convinced that Rick was destined to greet Fengxian customers, dressed as none other than Ricky Rouse. This original graphic novel is a relentless action comedy, a satire of US–China relations, a parody of Western entertainment, and a curious look at China—a country that, once we look past its often outrageous copyright infringements, is a culture ripe with innovation and a unique, courageous spirit.