In the room beneath a stage's trapdoor, all of Shakespeare’s tragically dead teenage girls—Juliet, Ophelia, Cordelia, and others—compare their experiences and retell the stories of their lives in their own terms. Enter the Body gives voice to a cast of the young women who die in Shakespeare's most iconic plays. Focusing on the stories of Juliet, Ophelia, and Cordelia, bestselling author of Blood Water Paint Joy McCullough brilliantly weaves retellings of Romeo & Juliet, Hamlet, and King Lear into a larger story about how young women can support each other in the aftermath of trauma.

“At once tender, poetic and ferocious, Enter The Body breathes new life into the Bard’s most tragic heroines. More than a tribute to Shakespeare, this kaleidoscopic, ambitious novel-in-verse gives Juliet, Ophelia, Cordelia, and Lavinia the chance to tell their own stories full of passion, justice, sisterhood, and love. Simply spectacular.”—Michael L. Printz Award winner Laura Ruby, author of Bone Gap In the room beneath a stage's trapdoor, Shakespeare’s dead teenage girls compare their experiences and retell the stories of their lives, their loves, and their fates in their own words. Bestselling author Joy McCullough offers a brilliant testament to how young women can support each other and reclaim their stories in the aftermath of trauma.

Meet the inspiring woman whose love of fashion led her to start a conservation movement and found the Massachusetts Audubon Society in this lively picture book biography. Harriet Lawrence Hemenway loved hats. She loved them with ribbons and flowers, embroidery and pearls. And feathers! What was better than a hat with grand, glorious feathers? But then Harriet discovered that millions of birds died so that she and her friends could soar at the height of style. A passion for fashion was one thing, but this was feather-brained! So Harriet led the charge to take feathers out of fashion, getting laws passed that made it illegal to buy or sell wild bird feathers. In 1896, she and her fellow bird protectors founded the Massachusetts Audubon Society, which grew into a national organization that still protects birds today! Additional information about conservation can be found in the backmatter of this engaging picture book.

From the author of the acclaimed Blood Water Paint, a new contemporary YA novel in prose and verse about a girl struggling with guilt and a desire for revenge after her sister's rapist escapes with no prison time. Em Morales's older sister was raped by another student after a frat party. A jury eventually found the rapist guilty on all counts--a remarkable verdict that Em felt more than a little responsible for, since she was her sister's strongest advocate on social media during the trial. Her passion and outspokenness helped dissuade the DA from settling for a plea deal. Em's family would have real justice. But the victory is short-lived. In a matter of minutes, justice vanishes as the judge turns the Morales family's world upside down again by sentencing the rapist to no prison time. While her family is stunned, Em is literally sick with rage and guilt. To make matters worse, a news clip of her saying that the sentence "makes me want to use a fucking sword" goes viral. From this low point, Em must find a new reason to go on and help her family heal, and she finds it in the unlikely form of the story of a 15th-century French noblewoman, Marguerite de Bressieux, who is legendary as an avenging knight for rape victims. We Are the Ashes, We Are the Fire is a searing and nuanced portrait of a young woman torn between a persistent desire for revenge and a burning need for hope.

From the author of the acclaimed Blood Water Paint, a new contemporary YA novel in prose and verse about a girl struggling with guilt and a desire for revenge after her sister's rapist escapes with no prison time. Em Morales's sister was raped after a frat party. A jury found the attacker guilty on all counts-a remarkable verdict that Em felt more than a little proud of, since her passionate social-media advocacy helped dissuade the DA from settling for a plea deal. But victory is short-lived. Justice vanishes as the judge turns the Morales family's world upside down again by sentencing the rapist to no prison time. While her family is stunned, Em is sick with rage and guilt. To make matters worse, Em tells a reporter the sentence makes her want to learn to use a sword-and the news clip goes viral. Em must find a new reason to fight on, and it comes in the unlikely form of the story of a fifteenth-century French noblewoman, Marguerite de Bressieux, legendary as an avenging knight for rape victims. We Are the Ashes, We Are the Fire is a searing and nuanced portrait of a young woman torn between a persistent desire for revenge and a burning need for hope.