Your search returned 12 results in the Theme: written in verse.
Pattyn Von Stratten is searching for the love she isn’t getting from God or her family in this novel from #1 New York Times bestselling author E... [Read More]
Pattyn Von Stratten is searching for the love she isn’t getting from God or her family in this novel from #1 New York Times bestselling author Ellen Hopkins. It all started with a dream. Just a typical fantasy, but for a girl raised in a religious—and abusive—family, a simple dream could be the first step toward eternal damnation. Now Pattyn Von Stratten has questions. Questions about God, and sex, and mostly love. Will she ever find it? Pattyn experiences the first stirrings of passion, but when her father catches her in a compromising position, events spiral out of control. Pattyn is sent to live with an aunt in the wilds of rural Nevada to find salvation and redemption. What she finds instead is love and acceptance, and for the first time she feels worthy of both—until she realizes that her old demons will not let her go. Those demons lead Pattyn down a path to hell—not to the place she learned about in sacrament meetings, but to an existence every bit as horrifying. In this gripping and masterful novel told in verse, Ellen Hopkins embarks on an emotional journey that ebbs and flows. From the highs of true love to the lows of loss and despair, Pattyn’s story is utterly compelling. You won’t want this story to end—but when it does, you can find out what’s next for Pattyn in the sequel, Smoke.
Theme: Written in Verse
It is 1965, and twelve-year-old Emaline lives on a wheat farm in southern Saskatchewan. Her family has fallen apart. When her beloved dog, Prince, cha... [Read More]
It is 1965, and twelve-year-old Emaline lives on a wheat farm in southern Saskatchewan. Her family has fallen apart. When her beloved dog, Prince, chased a hare into the path of the tractor, she chased after him, and her dad accidentally ran over her leg with the discer, leaving her with a long convalescence and a permanent disability. But perhaps the worst thing from Emaline's point of view is that in his grief and guilt, her father shot Prince and then left Emaline and her mother on their own. Despite the neighbors' disapproval, Emaline's mother hires Angus, a patient from the local mental hospital, to work their fields. Angus is a red-haired giant whom the local kids tease and call the gorilla. Though the small town's prejudice creates a cloud of suspicion around Angus that nearly results in tragedy, in the end he becomes a force for healing as Emaline comes to terms with her injury and the loss of her father. In the tradition of novels such as Kevin Major's Ann and Seamus and Karen Hesse's Out of the Dust, novelist and poet Pamela Porter uses free verse to tell this moving, gritty story that is accessible to a wide range of ages and reading abilities.
Theme: Prejudice, Character Education, Bullying Issues, Written in Verse
One summer, after a long plane ride and a rotten bad year I went to Grandma Jo's. It was my mother's idea. Jett, what you need is a change of sce... [Read More]
One summer, after a long plane ride and a rotten bad year I went to Grandma Jo's. It was my mother's idea. Jett, what you need is a change of scenery. I think she needed a change of scenery, too. One without me. Because that rotten bad year? That was my fault. Thus begins the poignant story, told in free verse, of eleven-year-old Jett. Last year, Jett and his mother had moved to a new town for a fresh start after his father went to jail. But Jett soon learned that fresh starts aren't all they're cracked up to be. When he befriended a boy with a difficult home life, Jett found himself in a cycle of bad decisions that culminated in the betrayal of a friend - a shameful secret he still hasn't forgiven himself for. Will a summer spent with his unconventional grandmother help Jett find his way to redemption? Writing in artfully crafted free-verse vignettes, Heather T. Smith uses a deceptively simple style to tell a powerful and emotionally charged story. The engaging narrative and the mystery of Jett's secret keep the pages turning and will appeal to both reluctant and avid readers. This captivating book offers a terrific opportunity for classroom discussions about the many ways to tell a story and how a small number of carefully chosen words can have a huge impact. It also showcases the positive character traits of empathy resilience, courage, and responsibility.
Theme: Written in Verse
Twelve-year-old Annie ponders the many rhythms of life the year that her mother becomes pregnant, her grandfather begins faltering, and her best frien... [Read More]
Twelve-year-old Annie ponders the many rhythms of life the year that her mother becomes pregnant, her grandfather begins faltering, and her best friend (and running partner) becomes distant.
Theme: Friendship, Inter-Generational, Written in Verse, Illness
A man I helped to settle here taught me a saying from Africa. I'll bet you would like it: A cow is God with a wet nose. Kek comes from Africa wher... [Read More]
A man I helped to settle here taught me a saying from Africa. I'll bet you would like it: A cow is God with a wet nose. Kek comes from Africa where he lived with his mother, father, and brother. But only he and his mother have survived. Now she's missing, and Kek has been sent to a new home. In America, he sees snow for the first time, and feels its sting. He wonders if the people in this new place will be like the winter-cold and unkind. But slowly he makes friends: a girl in foster care, an old woman with a rundown farm, and a sweet, sad cow that reminds Kek of home. As he waits for word of his mother's fate, Kek weathers the tough Minnesota winter by finding warmth in his new friendships, strength in his memories, and belief in his new country.
Theme: Immigration/Citizenship, Written in Verse, Character Education, Diversity, Big Ideas
After their mother is killed in a freak accident, Libertad and his little brother Julio brave the dangers of traveling from poverty-stricken Guatemala... [Read More]
After their mother is killed in a freak accident, Libertad and his little brother Julio brave the dangers of traveling from poverty-stricken Guatemala City to the United States in the hopes of reuniting with their father.
Theme: Poverty, Written in Verse
A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Los Angeles Times Book Prize Winner for Young Adult Literature Long... [Read More]
A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is National Book Award finalist and New York Times bestseller Jason Reynolds’s fiercely stunning novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if WILL gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.
Theme: Written in Verse