After moving across the country, thirteen-year-old Natalie auditions for her new school's play and overcomes her fears and insecurities about performing in a wheelchair.

The fantastic first novel in Lisa Mantchev's Theatre Illuminata trilogy Welcome to the Théâtre Illuminata, where the characters of every play ever written can be found behind the curtain. The actors are bound to the Théâtre by The Book, an ancient and magical tome of scripts. Bertie is not one of the actors, but they are her family. And she is about to lose them all because The Book has been threatened, and along with it the Théâtre. It's the only home Bertie has ever known, and she has to find a way to save it. But first, there's the small problem of two handsome men, both vying for her attention. Nate, a dashing pirate who will do anything to protect Bertie, and Ariel, a seductive air spirit. The course of true love never did run smooth. . . . With Eyes LIke Stars, Lisa Mantchev has written a debut novel that is dramatic, romantic, and witty, with an irresistible and irreverent cast of characters who are sure to enchant the audience.

In a vicious, delicious contemporary novel inspired by Shakespeare's Richard III, the lauded author of The Family Fortuna lifts the curtain on a high school thespian who'll stop at nothing to land the lead. Rory is an antihero for the ages. Like Shakespeare's Richard III, she confides in her audience, telling us exactly the lengths she'll go to to secure the leading role in Bosworth Academy's senior musical, confessing without shame that she is charming and conniving and brutally ambitious, that we will watch and root for her even as she manipulates and endangers those around her. And we do. Perhaps it's because we don't want to believe that she's as relentless as she claims. Rory is an underdog, after all, a scholarship kid teased for her weight. Surely there will be redemption? Surely our dread and patience will be rewarded? Intricately plotted with an ingenious narrative that blends multiple viewpoints with script excerpts and an original musical score, Lindsay Eagar's whip-smart, precision-crafted, and gleefully compulsive page-turner taps into the dark side of high school theater production. A diabolically good read, it forces our complicity as we wince and cheer for an arresting drama queen who just can't help going full-tilt nasty in the pursuit of her dreams.

A heartwarming middle-grade debut with autism representation and a musical flair. Maya lives and breathes musicals. When her chance to finally be a part of the summer musical program at the community theater comes up, Maya is convinced she will get the lead. After all, who knows The Drowsy Chaperone better than she does? However, things don't turn out exactly the way Maya's planned, and the summer turns out to be jam-packed with problems: dealing with her best friend's move, her parents' busy jobs, and--since her autism diagnosis--the ongoing puzzle of how to be Maya in Public. But perhaps most important of all, Maya has to figure out how to play the part that truly feels like her own.

A heartwarming middle-grade debut with autism representation and a musical flair. Maya lives and breathes musicals. When her chance to finally be a part of the summer musical program at the community theater comes up, Maya is convinced she will get the lead. After all, who knows The Drowsy Chaperone better than she does? However, things don't turn out exactly the way Maya's planned, and the summer turns out to be jam-packed with problems: dealing with her best friend's move, her parents' busy jobs, and--since her autism diagnosis--the ongoing puzzle of how to be Maya in Public. But perhaps most important of all, Maya has to figure out how to play the part that truly feels like her own.

When Mattie is cast as Romeo in an eighth-grade play, she is confused to find herself increasingly attracted to Gemma, a new classmate who is playing Juliet.

Twelve-year-old Mattie wrestles with her crush on Gemma as they participate in their school production of Romeo and Juliet in what School Library Journal calls “a fine choice for middle school libraries in need of an accessible LGBTQ stories.” Twelve-year-old Mattie is thrilled when she learns the eighth grade play will be Romeo and Juliet. In particular, she can’t wait to share the stage with Gemma Braithwaite, who has been cast as Juliet. Gemma is brilliant, pretty—and British!—and Mattie starts to see her as more than just a friend. But Mattie has also had an on/off crush on her classmate Elijah since, well, forever. Is it possible to have a crush on both boys AND girls? If that wasn’t enough to deal with, things offstage are beginning to resemble their own Shakespearean drama: the cast is fighting, and the boy playing Romeo may not be up to the challenge of the role. And due to a last-minute emergency, Mattie is asked to step up and take over the leading role—opposite Gemma’s Juliet—just as Mattie’s secret crush starts to become not-so-secret in her group of friends. In this funny, sweet, and clever look at the complicated nature of middle school romance, Mattie learns how to become a lead player in her own life.

Nothing will get in the way of Millie Price's dream to become a Broadway star. Not her lovable but super-introverted dad, who after raising Millie alone, doesn't want to watch her leave home to pursue her dream. Not her pesky and ongoing drama club rival, Oliver, who is the very definition of Simmering Romantic Tension. And not the "Millie Moods," the feelings of intense emotion that threaten to overwhelm, always at maddeningly inconvenient times. Millie needs an ally. And when a left-open browser brings Millie to her dad's embarrassingly moody LiveJournal from 2003, Millie knows just what to do. She's going to find her mom. There's Steph, a still-aspiring stage actress and receptionist at a talent agency. There's Farrah, ethereal dance teacher who clearly doesn't have the two left feet Millie has. And Beth, the chipper and sweet stage enthusiast with an equally exuberant fifteen-year-old daughter (A possible sister?! This is getting out of hand). But how can you find a new part of your life and expect it to fit into your old one, without leaving any marks? And why is it that when you go looking for the past, it somehow keeps bringing you back to what you've had all along?