Beth Kramer is a "townie" who returns to her sophomore year after having endured a year of tension with her roommate, Sarah. But Sarah Brunson knows there's more to that story. Amanda Priya "Spence" Spencer is the privileged daughter of NYC elites, who is reeling from the realization that her family name shielded her from the same fate as Sarah. Ramin Golafshar arrives at Chandler as a transfer student to escape the dangers of being gay in Iran, only to suffer brutal hazing under the guise of tradition in the boys' dorms. And Freddy Bello is the senior who's no longer sure of his future but knows he has to stand up to his friends after what happened to Ramin. At Chandler, the elite boarding school, these five teens are brought together in the Circle, a coveted writing group where life-changing friendships are born--and secrets are revealed. Their professor tells them to write their truths. But is the truth enough to change the long-standing culture of abuse at Chandler? And can their friendship survive the fallout?

From the Stonewall Honor-winning author of Like a Love Story comes a revelatory novel about the enclosed world of privilege and silence at an elite boarding school and the unlikely group of friends who dare to challenge the status quo through their writing. Perfect for fans of E. Lockhart, Kathleen Glasgow, and Jandy Nelson, with crossover appeal for readers of Donna Tartt's The Secret History and Curtis Sittenfeld's Prep. Beth Kramer is a "townie" who returns to her sophomore year after having endured a year of tension with her roommate, Sarah. But Sarah Brunson knows there's more to that story. Amanda Priya "Spence" Spencer is the privileged daughter of NYC elites, who is reeling from the realization that her family name shielded her from the same fate as Sarah. Ramin Golafshar arrives at Chandler as a transfer student to escape the dangers of being gay in Iran, only to suffer brutal hazing under the guise of tradition in the boys' dorms. And Freddy Bello is the senior who's no longer sure of his future but knows he has to stand up to his friends after what happened to Ramin. At Chandler, the elite boarding school, these five teens are brought together in the Circle, a coveted writing group where life-changing friendships are born--and secrets are revealed. Their professor tells them to write their truths. But is the truth enough to change the long-standing culture of abuse at Chandler? And can their friendship survive the fallout?

At the front of a middle school classroom in Oklahoma, a boy named Khosrou (whom everyone calls 'Daniel') stands, trying to tell a story. His story. But no one believes a word he says. To them he is a dark-skinned, hairy-armed boy with a big butt whose lunch smells funny; who makes things up and talks about poop too much. But Khosrou's stories, stretching back years, and decades, and centuries, are beautiful, and terrifying, from the moment his family fled Iran in the middle of the night with the secret police moments behind them, back to the sad, cement refugee camps of Italy ... and further back to the fields near the river Aras, where rain-soaked flowers bled red like the yolk of sunset burst over everything, and further back still to the Jasmine-scented city of Isfahan. We bounce between a school bus of kids armed with paper clip missiles and spitballs to the heroines and heroes of Khosrou's family's past, who ate pastries that made people weep and cry 'Akh, Tamar!' and touched carpets woven with precious gems. Like Scheherazade in a hostile classroom, Daniel weaves a tale to save his own life: to stake his claim to the truth. And it is (a true story). It is Daniel's.

WINNER, MICHAEL L. PRINTZ AWARD WINNER, CHRISTOPHER AWARD WINNER, MIDDLE EAST BOOK AWARD WALTER AWARD HONOR National Bestseller NPR Best of the Year New York Times Best of the Year Amazon Best of the Year Booklist Editors' Choice BookPage Best of the Year Publishers Weekly Best of the Year Wall Street Journal Best of the Year Today.com Best of the Year NECBA Windows & Mirrors Selection "A modern masterpiece."--New York Times "Supple, sparkling and original."--Wall Street Journal "Mesmerizing."--TODAY.com "This book could change the world."--BookPage "Like nothing else you've read or ever will read."--Linda Sue Park "It hooks you right from the opening line."-NPR ★ "A modern epic."--Kirkus Reviews, starred review ★ "A rare treasure of a book." --Publishers Weekly (starred) ★ "A story that soars."--The Bulletin (starred) ★ "At once beautiful and painful."--School Library Journal (starred) ★ "Raises the literary bar in children's lit." --Booklist (starred) ★ "Poignant and powerful." --Foreword Reviews (starred) ★ "One of the most extraordinary books of the year." --BookPage (starred) A sprawling, evocative, and groundbreaking autobiographical novel told in the unforgettable and hilarious voice of a young Iranian refugee. It is a powerfully layered novel that poses the questions: Who owns the truth? Who speaks it? Who believes it? "A patchwork story is the shame of the refugee," Nayeri writes early in the novel. In an Oklahoman middle school, Khosrou (whom everyone calls Daniel) stands in front of a skeptical audience of classmates, telling the tales of his family's history, stretching back years, decades, and centuries. At the core is Daniel's story of how they became refugees--starting with his mother's vocal embrace of Christianity in a country that made such a thing a capital offense, and continuing through their midnight flight from the secret police, bribing their way onto a plane-to-anywhere. Anywhere becomes the sad, cement refugee camps of Italy, and then finally asylum in the U.S. Implementing a distinct literary style and challenging western narrative structures, Nayeri deftly weaves through stories of the long and beautiful history of his family in Iran, adding a richness of ancient tales and Persian folklore. Like Scheherazade of One Thousand and One Nights, Daniel spins a tale to save his own life: to stake his claim to the truth. A tale of heartbreak and resilience and urges readers to speak their truth and be heard. - Daniel is a major force and one of the youngest publishers in the industry. - He's an #OwnVoices author, public speaker, and storyteller. - A pulled-from-the headlines immigrant story. - Thematically relevant as immigration stories take center stage in politics, news, and media in 2020. - Daniel challenges how we tell stories by using traditional Persian folk tales - A fantastic literary whirlwind that questions western narrative structures.

In a true tale of a young girl in Iran and her grandmother, this beautiful ode to family celebrates small moments of love that become lifelong memories. In this big universe full of many moons, I have traveled and seen many wonders, but I have never loved anything or anyone the way I love my grandma. While Mina is growing up in Iran, the center of her world is her grandmother. Whether visiting friends next door, going to the mosque for midnight prayers during Ramadan, or taking an imaginary trip around the planets, Mina and her grandma are never far apart. At once deeply personal and utterly universal, Mina Javaherbin's words make up a love letter of the rarest sort: the kind that shares a bit of its warmth with every reader. Soft, colorful, and full of intricate patterns, Lindsey Yankey's illustrations feel like a personal invitation into the coziest home, and the adoration between Mina and her grandma is evident on every page.

A heartwarming look at love, loss, and memorable objects through the eyes of a child After her grandfather's death, a young girl wanders through his house. As she tours each room, the objects she discovers stir memories of her grandfather--her baba bozorg. His closet full of clothes reminds her of the mints he kept in his pockets. His favorite teacup conjures thoughts of the fig cookies he would offer her. The curtains in the living room bring up memories of hide-and-seek games and the special relationship that she and her baba bozorg shared, even though they spoke different languages. The Sour Cherry Tree is an authentic look at death and loss centred on the experiences of a child, both strikingly whimsical and matter-of-fact. Drawing on the Iranian-Canadian author's childhood memories, this tender meditation on grief, love, and memory is at once culturally specific and universally relatable.