From one to ten and beyond, explore the Salish Sea in this visually striking, high-concept counting primer. Acclaimed West Coast artist Nikki McClure uses a single piece of paper and an X-ACTO knife to create her simple yet exquisite images. Whether it's one stubby squid or one million raindrops, readers young and not-so-young will delight in this distinctly Pacific picture book.

Makwa has to go to a new school ... and he doesn't want to go. How will he face his first day? The Seven Teaching of the Anishinaabe -- love, wisdom, humility, courage, respect, honesty, and truth -- are revealed in these seven stories for children. Set in an urban landscape with Indigenous children as the central characters, these stories about home and family will look familiar to all young readers.

Montana-born Rex dreams of following in his grandfather's footsteps and making a first descent down one of the world's last unconquered wild rivers. When he finally gets enough sponsors, Rex heads to South America to tackle the well-named El Furioso. And while he anticipates the river's challenges, he finds himself in a situation where the real danger is human. In Colombia, he hires a guide: seventeen year-old Myriam Calambás, an indígena who has lived along El Furioso all her life. Though she loves its rushing waters, Myriam longs to go to university, become a reporter, and tell the world what is happening to her people. Her dreams, and her very survival, are in the balance when she and Rex become caught up in the clash between the paramilitaries, who work for the rich landowners, and the guerillas, who are supposed to protect the poor. Pam Withers' skill at writing about extreme sports is reflected in this compelling novel about an endangered world and a people struggling for their very right to exist.

Why are ravens black? Why do screech owl eyes look red in light? How did we get fire? You?ll find the answers to those questions in this retelling of a Cherokee pourquoi folktale. The earth was cold and dark but the animals could see fire coming from the tree on the island. They tried to fly or swim to the island to bring back the fire heat and light. What happened to some of the animals? Which animal brought it back and how?

On a journey to uncover her family's story, Spotted Fawn travels through time and space to reclaim connection to ancestors, language, and the land--creating a path forward in this essential graphic novel. In the dreamworld she bears witness to a mountain of buffalo skulls. They stand as a ghostly monument to the slaughter of the Plains bison to near extinction-- a key tactic to starve and contain the Indigenous People onto reservations. On this path, Spotted Fawn knows she must travel through her own family history to confront the harsh realities of the past and reignite her connection to her people and the land. Her darkroom becomes a portal, and her photographs allow her glimpses into the lives of her relatives over the course of four chapters of this book, which follow the phases of the moon. Time and space become unlocked and unfurl in front of her eyes. Guided by her ancestors, Spotted Fawn's travels through the past allow her to come into full face--like the moon itself. Adapted from the acclaimed stop-motion animated film of the same name, written and directed by Amanda Strong, Four Faces of the Moon brings the oral and written history of the Michif, Cree, Nakoda and Anishinaabe Peoples and their cultural link to the buffalo alive on the page. Deeply resonant and beautifully rendered, this graphic novel retelling is essential reading. Backmatter by Dr. Sherry Farrell-Racette (Michif), an associate professor of Native Studies and Women's and Gender Studies at the University of Manitoba, provides information on Michif culture and history and the injustices of colonialism.

On a journey to uncover her family's story, Spotted Fawn travels through time and space to reclaim connection to ancestors, language, and the land--creating a path forward in this essential graphic novel. In the dreamworld she bears witness to a mountain of buffalo skulls. They stand as a ghostly monument to the slaughter of the Plains bison to near extinction-- a key tactic to starve and contain the Indigenous People onto reservations. On this path, Spotted Fawn knows she must travel through her own family history to confront the harsh realities of the past and reignite her connection to her people and the land. Her darkroom becomes a portal, and her photographs allow her glimpses into the lives of her relatives over the course of four chapters of this book, which follow the phases of the moon. Time and space become unlocked and unfurl in front of her eyes. Guided by her ancestors, Spotted Fawn's travels through the past allow her to come into full face--like the moon itself. Adapted from the acclaimed stop-motion animated film of the same name, written and directed by Amanda Strong, Four Faces of the Moon brings the oral and written history of the Michif, Cree, Nakoda and Anishinaabe Peoples and their cultural link to the buffalo alive on the page. Deeply resonant and beautifully rendered, this graphic novel retelling is essential reading. Backmatter by Dr. Sherry Farrell-Racette (Michif), an associate professor of Native Studies and Women's and Gender Studies at the University of Manitoba, provides information on Michif culture and history and the injustices of colonialism.

While exploring an ancient Indian graveyard on an island in the middle of a lake, Karen Stone and her brother John encounter a man sitting on a gravestone who then vanishes suddenly, leaving behind a small, mysterious pouch. Reprint.

Years after a devastating battle, Mahingan and his tribe struggle to recover a lost loved one. Six years earlier in the fourteenth century, Mahingan and his tribe fought the Battle of the Falls against the Haudenosaunee. There were many losses, and Mahingan thought he had lost his wife, Wàbananang (Morning Star). But after the battle, he learned she was still alive, taken captive by the Haudenosaunee. Now on a desperate quest to rescue her, Mahingan and his small family are wintering north of the Ottawa River near present-day Lachute, Quebec. If they are to have any hope of recovering Wàbananang, though, they must first survive until spring. At the same time, over 2,000 kilometres away in present-day Newfoundland, events taking place will affect four Native tribes: Mahingan's, a group of Mi'kmaq, a Beothuk group, and a band of Haudenosaunee warriors led by Mahingan's old nemesis, Ò:nenhste Erhar (Corn Dog) - a fierce Mohawk War Chief and Wàbananang's captor. Along the way, Mahingan's brother, Mitigomij, will reveal his true self and powers. Then, an influential Mi'kmaq legend puts a new, powerful twist on events, and threatens to send things spiraling out of Mahingan's control.

In a high school gym full of color and song, people dance, sell beadwork and books, and celebrate friendship and heritage. Young protagonists will meet relatives from faraway, mysterious strangers, and sometimes one another (plus one scrappy rez dog). They are the heroes of their own stories.

How about a book that makes you barge into your boss's office to read a page of poetry from? That you dream of? That every movie, song, book, moment that follows continues to evoke in some way? The term "Apple" is a slur in Native communities across the country. It's for someone supposedly "red on the outside, white on the inside." Eric Gansworth is telling his story in Apple (Skin to the Core). The story of his family, of Onondaga among Tuscaroras, of Native folks everywhere. From the horrible legacy of the government boarding schools, to a boy watching his siblings leave and return and leave again, to a young man fighting to be an artist who balances multiple worlds. Eric shatters that slur and reclaims it in verse and prose and imagery that truly lives up to the word heartbreaking.

April Raintree, a revised version of the novel In Search of April Raintree, is written specifically for students in grades 9 through 12. Through her characterization of two young sisters who are removed from their family, the author poignantly illustrates the difficulties that many Aboriginal people face in maintaining a positive self-identity.

The land, hunting, hunger, magic and extreme weather are themes that resonate for Inuit who live in the Far North. These stories, drawn from the lives of four Inuit artists, offer young readers a glimpse into this rich, remote culture, past and present. Accompanying each story are illustrations by Jirina Marton, who has spent time in the Arctic and whose deep appreciation for its subtle beauty shines through her art. In addition to the stories, there is a feature spread on each artist with a photograph, a brief biography and a reproduction of one of the artist's works.