From one to ten and beyond, explore the Salish Sea in this visually striking, high-concept counting primer. Acclaimed West Coast artist Nikki McClure uses a single piece of paper and an X-ACTO knife to create her simple yet exquisite images. Whether it's one stubby squid or one million raindrops, readers young and not-so-young will delight in this distinctly Pacific picture book.

Makwa has to go to a new school ... and he doesn't want to go. How will he face his first day? The Seven Teaching of the Anishinaabe -- love, wisdom, humility, courage, respect, honesty, and truth -- are revealed in these seven stories for children. Set in an urban landscape with Indigenous children as the central characters, these stories about home and family will look familiar to all young readers.

Montana-born Rex dreams of following in his grandfather's footsteps and making a first descent down one of the world's last unconquered wild rivers. When he finally gets enough sponsors, Rex heads to South America to tackle the well-named El Furioso. And while he anticipates the river's challenges, he finds himself in a situation where the real danger is human. In Colombia, he hires a guide: seventeen year-old Myriam Calambás, an indígena who has lived along El Furioso all her life. Though she loves its rushing waters, Myriam longs to go to university, become a reporter, and tell the world what is happening to her people. Her dreams, and her very survival, are in the balance when she and Rex become caught up in the clash between the paramilitaries, who work for the rich landowners, and the guerillas, who are supposed to protect the poor. Pam Withers' skill at writing about extreme sports is reflected in this compelling novel about an endangered world and a people struggling for their very right to exist.

On a journey to uncover her family's story, Spotted Fawn travels through time and space to reclaim connection to ancestors, language, and the land--creating a path forward in this essential graphic novel. In the dreamworld she bears witness to a mountain of buffalo skulls. They stand as a ghostly monument to the slaughter of the Plains bison to near extinction-- a key tactic to starve and contain the Indigenous People onto reservations. On this path, Spotted Fawn knows she must travel through her own family history to confront the harsh realities of the past and reignite her connection to her people and the land. Her darkroom becomes a portal, and her photographs allow her glimpses into the lives of her relatives over the course of four chapters of this book, which follow the phases of the moon. Time and space become unlocked and unfurl in front of her eyes. Guided by her ancestors, Spotted Fawn's travels through the past allow her to come into full face--like the moon itself. Adapted from the acclaimed stop-motion animated film of the same name, written and directed by Amanda Strong, Four Faces of the Moon brings the oral and written history of the Michif, Cree, Nakoda and Anishinaabe Peoples and their cultural link to the buffalo alive on the page. Deeply resonant and beautifully rendered, this graphic novel retelling is essential reading. Backmatter by Dr. Sherry Farrell-Racette (Michif), an associate professor of Native Studies and Women's and Gender Studies at the University of Manitoba, provides information on Michif culture and history and the injustices of colonialism.

On a journey to uncover her family's story, Spotted Fawn travels through time and space to reclaim connection to ancestors, language, and the land--creating a path forward in this essential graphic novel. In the dreamworld she bears witness to a mountain of buffalo skulls. They stand as a ghostly monument to the slaughter of the Plains bison to near extinction-- a key tactic to starve and contain the Indigenous People onto reservations. On this path, Spotted Fawn knows she must travel through her own family history to confront the harsh realities of the past and reignite her connection to her people and the land. Her darkroom becomes a portal, and her photographs allow her glimpses into the lives of her relatives over the course of four chapters of this book, which follow the phases of the moon. Time and space become unlocked and unfurl in front of her eyes. Guided by her ancestors, Spotted Fawn's travels through the past allow her to come into full face--like the moon itself. Adapted from the acclaimed stop-motion animated film of the same name, written and directed by Amanda Strong, Four Faces of the Moon brings the oral and written history of the Michif, Cree, Nakoda and Anishinaabe Peoples and their cultural link to the buffalo alive on the page. Deeply resonant and beautifully rendered, this graphic novel retelling is essential reading. Backmatter by Dr. Sherry Farrell-Racette (Michif), an associate professor of Native Studies and Women's and Gender Studies at the University of Manitoba, provides information on Michif culture and history and the injustices of colonialism.

While exploring an ancient Indian graveyard on an island in the middle of a lake, Karen Stone and her brother John encounter a man sitting on a gravestone who then vanishes suddenly, leaving behind a small, mysterious pouch. Reprint.

Antidote à l’histoire officielle des Amériques, 500 ans de résistance autochtone dépeint d’une perspective autochtone la résistance des Premiers Peuples contre les colonisateurs et autres oppresseurs, du premier contact jusqu’à aujourd’hui. La bande dessinée présente des événements marquants comme l’invasion espagnole des empires aztèque, maya et inca, la révolte des Pueblos au Nouveau-Mexique, la bataille de Wounded Knee et, plus récemment, les manifestations Idle No More. Au Canada, elle aborde notamment la crise d’Oka et les manifestations anti-pipeline des Wet’suwet’en. Cette œuvre éclaire les luttes passées et actuelles des Premiers Peuples pour la souveraineté et l’autodétermination.

Nicole O'Bomsawin, anthropologue, conteuse et militante w8banaki, publie un premier album jeunesse. Dans 8tlokaw8ganal / Légendes, Nokmes Marmotte raconte l'origine des petits êtres de pierre et Nmahom nous emmène dans un sentier de la forêt à la découverte des êtres vivants qui l'habitent. Voici venue l'occasion de s'initier à la mythologie w8banaki! Les magnifiques illustrations sont signées par l'artiste Sylvain Rivard. Un lexique se trouve à la fin du livre pour découvrir la signification et la prononciation des mots en w8banaki.

After his parents are brutally murdered, Ahiahia is raised by his grandmother in a camp surrounded by enemies. His grandmother knows that eventually the camp will turn on Ahiahia, just as it did his parents, so she chants a protection chant over the clothing that she lovingly sews for him, over the amulet and necklace she gives him, even over the dog that is his companion. When he is attacked, Ahiahia must use his agility, hunting skills, and the protection imparted by his grandmother to stay alive.

Years after a devastating battle, Mahingan and his tribe struggle to recover a lost loved one. Six years earlier in the fourteenth century, Mahingan and his tribe fought the Battle of the Falls against the Haudenosaunee. There were many losses, and Mahingan thought he had lost his wife, Wàbananang (Morning Star). But after the battle, he learned she was still alive, taken captive by the Haudenosaunee. Now on a desperate quest to rescue her, Mahingan and his small family are wintering north of the Ottawa River near present-day Lachute, Quebec. If they are to have any hope of recovering Wàbananang, though, they must first survive until spring. At the same time, over 2,000 kilometres away in present-day Newfoundland, events taking place will affect four Native tribes: Mahingan's, a group of Mi'kmaq, a Beothuk group, and a band of Haudenosaunee warriors led by Mahingan's old nemesis, Ò:nenhste Erhar (Corn Dog) - a fierce Mohawk War Chief and Wàbananang's captor. Along the way, Mahingan's brother, Mitigomij, will reveal his true self and powers. Then, an influential Mi'kmaq legend puts a new, powerful twist on events, and threatens to send things spiraling out of Mahingan's control.

Brian Isaac's powerful debut novel All the Quiet Places is the coming-of-age story of Eddie Toma, an Indigenous (Syilx) boy, told through the young narrator's wide-eyed observations of the world around him. It's 1956, and six-year-old Eddie Toma lives with his mother, Grace, and his little brother, Lewis, near the Salmon River on the far edge of the Okanagan Indian Reserve in the British Columbia Southern Interior. Grace, her friend Isabel, Isabel's husband Ray, and his nephew Gregory cross the border to work as summer farm labourers in Washington state. There Eddie is free to spend long days with Gregory exploring the farm: climbing a hill to watch the sunset and listening to the wind in the grass. The boys learn from Ray's funny and dark stories. But when tragedy strikes, Eddie returns home grief-stricken, confused, and lonely. Eddie's life is governed by the decisions of the adults around him. Grace is determined to have him learn the ways of the white world by sending him to school in the small community of Falkland. On Eddie's first day of school, as he crosses the reserve boundary at the Salmon River bridge, he leaves behind his world. Grace challenges the Indian Agent and writes futile letters to Ottawa to protest the sparse resources in their community. His father returns to the family after years away only to bring chaos and instability. Isabel and Ray join them in an overcrowded house. Only in his grandmother's company does he find solace and true companionship. In his teens, Eddie's future seems more secure--he finds a job, and his long-time crush on his white neighbour Eva is finally reciprocated. But every time things look up, circumstances beyond his control crash down around him. The cumulative effects of guilt, grief, and despair threaten everything Eddie has ever known or loved. All the Quiet Places is the story of what can happen when every adult in a person's life has been affected by colonialism; it tells of the acute separation from culture that can occur even at home in a loved familiar landscape. Its narrative power relies on the unguarded, unsentimental witness provided by Eddie.

Both a love letter to the dandelion and a call to love ourselves in a difficult world, Âmî Osâwâpikones reminds us that we are not defined as others see us. Following our young protagonist and the dandelions through the seasons, we are reminded that we are resilient, we are healers, we are funny, and we are loved.