"Engaging images accompany information about the Blackfeet. The combination of high-interest subject matter and narrative text is intended for students in grades 3 through 8" --

Helen loves springtime - except for the gazillions of blackflies and mosquitoes. But she has a plan . . . One day Helen wakes up and it's SPRING! The snow has melted and the sun is shining. But Helen knows that the blackflies will be coming out soon. So she does what any smart kid would do: she sends her little sister outdoors to check! When the blackflies and mosquitoes carry her away, Helen tells her dad, who rushes outside and is carried away himself. Now Helen needs to rescue BOTH of them, along with a wolf and a very clever bear . . .

Two everyday superheroes set out to save the world--starting with their school--in an exciting new middle-grade graphic series from two award-winning authors and a debut illustrator. When cousins Riley Halfmoon and Maya Dawn move to Urbanopolis to live with their activist grandma, they get off to a rocky start. Outgoing Riley misses her Muscogee cousins but is sure that she and Maya will be instant BFFs. Meanwhile, introvert Maya misses her parents, on active duty in Japan, and just wants some space to herself. At school, Maya joins Robotics Club and Riley bonds with fellow gymnasts. Just when they start to feel at home, their school culture is threatened by an influential foe in disguise. Joining student council feels like a way to help, so both cousins toss their hats in the ring for sixth-grade class president. But when they realize what they're up against--money, power, and lies--they quickly shift from competition to cooperation, joining forces as superheroes. Riley is savvy with people; Maya is a whiz with gadgets. In no time, this dazzling duo is off to save the day! Relatable and rich in themes of family, community, and compromise, the Blue Stars series will entertain and empower, inspiring readers to be the stars they are.

When cousins Riley Halfmoon and Maya Dawn move to Urbanopolis to live with their activist grandma, they get off to a rocky start. Outgoing Riley misses her Muscogee cousins but is sure that she and Maya will be instant BFFs. Meanwhile, introvert Maya misses her parents, on active duty in Japan, and just wants some space to herself. At school, Maya joins Robotics Club and Riley bonds with fellow gymnasts. Just when they start to feel at home, their school culture is threatened by an influential foe in disguise. Joining student council feels like a way to help, so both cousins toss their hats in the ring for sixth-grade class president. But when they realize what they're up against--money, power, and lies--they quickly shift from competition to cooperation, joining forces as superheroes. Riley is savvy with people; Maya is a whiz with gadgets. In no time, this dazzling duo is off to save the day!

Poems about a young two-spirit Indigenous man moving through shadow and trauma toward strength and awareness. Bones, Tyler Pennock's wise and arresting debut, is about the ways we process the traumas of our past, and about how often these experiences eliminate moments of softness and gentleness. Here, the poems journey inward, guided by the world of dreams, seeking memories of a loving sister lost beneath layers of tragedy and abuse. With bravery, the poems stand up to the demons lurking in the many shadows of their lines, seeking glimpses of a good that is always just out of reach. At moments heartrending and gut-punching, at others still and sweet, Bones is a collection of deep and painstaking work that examines the human spirit in all of us. This is a hero's journey and a stark look at the many conditions of the soul. This is a book for survivors, for fighters, for dreamers, and for believers. "Here is a spare and urgent voice that speaks of 'wounds and beauty, ' that gestures to a story of trauma and abuse while offering us a potent journey of self-reckoning and reclamation. Bones entwines brutality with the deepest tenderness and in its clear-eyed way asks us, as poetry must, to re-see the world." --Catherine Bush, author of Accusation and The Rules of Engagement "Tyler Pennock's poetry unfurls like breath: measured, light, caught, whispering, and vital. It charts memory with a steady hand and unerring allegiance to locating the 'beauty/in terrible things.' Bones addresses the effects of intergenerational, state-sponsored trauma with an enviable grace, inscribing and affirming life on the other side of overwhelming pain, abuse, and grief. It carries on, resilient, defiant, gazing at the stars, one breath at a time." --Laurie D. Graham, author of Settler Education "Tyler Pennock's Bones is a soft meandering through the memories of the narrator's hearthome: a place in which trauma, kinship, abuse, and nostalgia cradle one another in a circle. Here, poetics are deployed to inspect the most minute of objects with such wild abandon that the narrator transplants us into a world rife with sharpness so as to make the image complete, focussed, lifelike, photographic even as he continually 'wish[es he] were like water'. Here we find memory and dream animated in equal measure: two spirits sitting in a basement, a headless mother, a white bear, wihtiko, and a sister slowly vanishing. Lyrical, witty, heart-wrenching, and empowering, Pennock's debut book of poetry is a contemplative epic asking us to ponder the ethics of remembrance in all of its lacings of razing and revitalization." --Joshua Whitehead, author of Full-Metal Indigiqueer and Jonny Appleseed

Krie Redsky is an extraordinary Indigenous child... But is he strong enough? How will he access the power to do battle and win when even the Knowledge Keepers cannot prepare him for what is to come? Learning to cope with coming of age, loss, friendship, first love, and betrayal, Krie struggles like any teenager. Nurtured by Knowledge Keepers as " one who is without fear, and with the ability to cross realities," he is soon recognized as an individual who can - and will - battle the terrifying ancient spirit stealers known as Bonewalkers.

A powerful graphic-novel adaptation of one of Thomas King's most celebrated short stories, Borders explores themes of identity and belonging, and is a poignant depiction of the significance of a nation's physical borders from an Indigenous perspective. This timeless story is brought to vibrant, piercing life by the singular vision of artist Natasha Donovan.

"Botanist Robin Wall Kimmerer's best-selling book Braiding Sweetgrass is adapted for a young adult audience by children's author Monique Gray Smith, bringing Indigenous wisdom, scientific knowledge, and the lessons of plant life to a new generation"--

Brave Like the Buffalo is a children's book with a message that will inspire all readers to face the storms in their life with the help of their support systems and with a brave mindset. Written by Melissa Allan and illustrated by Jadyn Fischer-McNab, this story uses a powerful animal, the buffalo, as a symbolic message and connection to Indigenous ways of knowing and being that helps to create a wonderful narrative rich with Indigenous ties and a heartwarming message around facing adversity. Brave Like the Buffalo is intended for audiences aged 0-6, to be used educationally as a way to intertwine Indigenous ways of knowing and being through story.

2017 Burt Award for First Nations, Inuit, and Métis Literature Finalist Winner, Amazon.ca First Novel Award Winner, Margaret Laurence Award for Fiction Winner, Carol Shields Winnipeg Book Award Winner, McNally Robinson Book of the Year A Canada Reads 2017 finalist National Bestseller 2016 Governor General's Literary Award Finalist 2016 Rogers Writers' Trust Fiction Prize Finalist National Post 99 Best Books of the Year CBC Best Canadian Debut Novels 2016 Globe and Mail Best 100 Books of 2016 Quill & Quire Book of the Year Kobo Best Books of the Year Walrus Magazine The Best Books of 2016 49th Shelf Books of the Year When Stella, a young Métis mother, looks out her window one evening and spots someone in trouble on the Break - a barren field on an isolated strip of land outside her house - she calls the police to alert them to a possible crime. In a series of shifting narratives, people who are connected, both directly and indirectly, with the victim - police, family, and friends - tell their personal stories leading up to that fateful night. Lou, a social worker, grapples with the departure of her live-in boyfriend. Cheryl, an artist, mourns the premature death of her sister Rain. Paulina, a single mother, struggles to trust her new partner. Phoenix, a homeless teenager, is released from a youth detention centre. Officer Scott, a Métis policeman, feels caught between two worlds as he patrols the city. Through their various perspectives a larger, more comprehensive story about lives of the residents in Winnipeg's North End is exposed. A powerful intergenerational family saga, The Break showcases Vermette's abundant writing talent and positions her as an exciting new voice in Canadian literature.

This is a story all about Beth, an Anishinaabe girl who loves all kinds of bubbles-bubble wrap, bubble tea, bubble gum, bubble baths, and her bubble guppy. For her 6th birthday, Beth receives a giant body bubble as a gift, which literally blows her away. After Beth gets trapped in the bubble, she floats away over her house, her school, the park, and the lake. Soon, Beth lands in the bush where she meets some animal friends, like Waagoosh (the fox), Waawaashkesh (the deer), and more. Can the animals help Beth pop the bubble? How will she get home? Join Beth as she embarks on this exciting adventure with her animal friends and learns all about teamwork and friendship. For integrated lesson plans and curriculum supplements for all subject areas that support this heartwarming picture book, please visit: www.goodminds.com

On dit que quand les enseignements sont transmis d'une génération à l'autre, de bonnes choses peuvent arriver. La langue est apprise, les connaissances sont partagées et la culture est pratiquée. Dans cette histoire de préservation de la langue, l'auteure, illustratrice et enseignante de langue anishnaabemowin Juliana Armstrong met en lumière un certain nombre de mots anishnaabemowin avec leurs liens culturels transmis de ses ancêtres ojibwés. Connaître notre culture veut dire savoir qui on est. Quand on sait qui on est, on peut marcher dans la bonne voie.