In North End Halifax, past and present interweave through the relationships of the characters in Crocuses Hatch from Snow. A soaring exploration of diverse communities across generations, author Jaime Burnet's debut novel introduces an exciting lyrical voice in queer literary fiction.

This Crow will ruffle a few feathers. When Stacey Fortune is diagnosed with three highly unpredictable -- and inoperable -- brain tumours, she abandons the crumbling glamour of her life in Toronto for her mother Effie's scruffy trailer in rural Cape Breton. Back home, she's known as Crow, and everybody suspects that her family is cursed. With her future all but sealed, Crow decides to go down in a blaze of unforgettable glory by writing a memoir that will raise eyebrows and drop jaws. She'll dig up "the dirt" on her family tree, including the supposed curse, and uncover the truth about her mysterious father, who disappeared a month before she was born. But first, Crow must contend with an eclectic assortment of characters, including her gossipy Aunt Peggy, hedonistic party-pal Char, homebound best friend Allie, and high-school flame Willy. She'll also have to figure out how to live with her mother and how to muddle through the unsettling visual disturbances that are becoming more and more vivid each day. Witty, energetic, and crackling with sharp Cape Breton humour, Crowis a story of big twists, big personalities, big drama, and even bigger heart.

Nanabush. A name that has a certain weight on the tongue—a taste. Like lit sage in a windowless room or aluminum foil on a metal filling. Trickster. Storyteller. Shape-shifter. An ancient troublemaker with the power to do great things, only he doesn’t want to put in the work. Since coming home to Spirit Bear Point First Nation, Hazel Ellis has been dreaming of an old crow. He tells her he’s here to help her, save her. From what, exactly? Sure, her dad’s been dead for almost two years and she hasn’t quite reconciled that grief, but is that worth the time of an Algonquin demigod? Soon Hazel learns that there’s more at play than just her own sadness and doubt. The quarry that’s been lying unsullied for over a century on her father’s property is stirring the old magic that crosses the boundaries between this world and the next. With the aid of Nanabush, Hazel must unravel a web of deceit that, if left untouched, could destroy her family and her home on both sides of the Medicine Wheel.

"The cure for death by lightning was handwritten in thick, messy blue ink in my mother’s scrapbook, under the recipe for my father’s favourite oatcakes:Dunk the dead by lightning in a cold water bath for two hours and if still dead, add vinegar and soak for an hour more." So begins Gail Anderson-Dargatz’s extraordinary first novel, a seductive and thrilling book that captures the heart and imagination, as filled with the magic and mystery of life as it is with its lurking evils and gut-wrenching hardships.The Cure for Death by Lightningsold more than a staggering 100,000 copies in Canada alone and became a bestseller in Great Britain, later to be published in the United States and Europe. It was nominated for the Giller Prize, the richest fiction prize in Canada, and received a Betty Trask Award in the U.K. The Cure for Death by Lightningtakes place in the poor, isolated farming community of Turtle Valley, British Columbia, in the shadow of the Second World War. The fifteenth summer of Beth Weeks’s life is full of strange happenings: a classmate is mauled to death; children go missing on the nearby reserve; an unseen predator pursues Beth. She is surrounded by unusual characters, including Nora, the sensual half-Native girl whose friendship provides refuge; Filthy Billy, the hired hand with Tourette’s Syndrome; and Nora’s mother, who has a man’s voice and an extra little finger. Then there’s the darkness within her own family: her domineering, shell-shocked father has fits of madness, and her mother frequently talks to the dead. Beth, meanwhile, must wrestle with her newfound sexuality in a harsh world where nylons, perfume and affection have no place. Then, in a violent storm, she is struck by lightning in her arm, and nothing is quite the same again. She decides to explore the dangers of the bush. Beth is a strong, honest, and compassionate heroine, bringing hope and joy into an environment that is often cruel. The character of Beth’s haunted mother infuses the book with life by means of her scrapbook of recipes scattered throughout, with luscious descriptions of food, gardening, and remedies, both practical and bizarre. Seen through Beth’s eyes, the West Coast landscape is full of beauty and mysteries, with its forests and rivers, and its rich native culture. TheGlobe and Mailcommented thatThe Cure for Death by Lightningwas "Canadian to the core," with hints of Susannah Moodie and Margaret Atwood and Alice Munro. Anderson-Dargatz’s vision of rural life has drawn comparisons with William Faulkner and John Steinbeck. A magic realism reminiscent of Latin American literature is also present, as flowers rain from the sky, and men turn into animals. Yet the style ofThe Cure for Death by Lightning, which theBoston Globecalled "Pacific Northwest Gothic," is wholly original. Launched in a year with more than the usual number of excellent first novels (1996 was also the year ofFall On Your Kneesby Ann-Marie MacDonald andFugitive Piecesby Anne Michaels), this book with its assured voice heralds a worthy successor to Margaret Atwood, Carol Shields, Margaret Laurence and Alice Munro.

LONGLISTED FOR THE 2017 SCOTIABANK GILLER PRIZE Winner of the 2018 Western Canada Jewish Book Awards - Fiction - The Diamond Foundation Prize Nominated for the 2018 OLA Evergreen Award Energized, irreverent, novelistic stories full of longing, strange humour, and the complications of human entanglement from Governor General’s Award nominee Deborah Willis The characters in these thirteen masterful and engaging stories exist on the edge of danger, where landscapes melt into dreamscapes and every house is haunted. A drug dealer’s girlfriend signs up for the first manned mission to Mars. A girl falls in love with a man who wants to turn her into a bird. A teenage girl and her best friend test their relationship by breaking into suburban houses. A wife finds a gaping hole in the floor of the home she shares with her husband, a hole that only she can see. Full of longing and strange humour, these subtle, complex stories—about the love between a man and his pet crow, an alcoholic and his AA sponsor, a mute migrant and a newspaper reporter—show how love ties us to one another and to the world. The Dark and Other Love Stories announces the emergence of a wonderfully gifted storyteller whose stories enlarge our perceptions about the human capacity to love.

Snap decisions, risky alliances and comical wrong-headedness bring the stories in award-winning author Ian Colford's latest collection to life. Colford weaves wit and nuance into portrayals of characters facing questions of fortune, fate and self-preservation. Awkward and dangerous situations arise as Colford, dryly yet empathetically, illustrates what happens when people do what they think is best for all.

A searing and hypnotic tour de force about a daughter whose life is shattered repeatedly by her charismatic father, and the redemptive power of art. To be loved by your father is to be loved by God. So says Mona Dean--playwright, actress and daughter to a man famous for one great novel, and in fruitless pursuit of the next, whose needs and insecurities exert an inescapable pull and exact an immeasurable toll on the women of his family: Mona, her sister, her half-sister, their mothers. His infidelity destroyed Mona's childhood, setting her in opposition to a cold, cruel stepmother who, though equally damaged, disdains her for being broken. Then, just as Mona is settling into her life as an adult and fledgling artist, he begins a new affair and takes her into his confidence. Mona delights--painfully, parasitically--in his attention. When he inevitably confesses to his wife, Mona is cast as the agent of disruption, punished for her father's crimes and ejected from the family. Mona’s tenuous stability is thrown into chaos. Only when she suffers an incalculable loss—one far deeper and more defining than family entanglements—can she begin supplanting absent love with real love. Pushed to the precipice, she must decide how she wants to live, what she most needs to say, and the risks she will take to say it. Claudia Dey chronicles our most intimate lives with penetrating insight and devilish humour. A novel as volatile and far-reaching as its title, Daughter is an obsessive, blazing examination of the forces that drive us to become, to create and to break free.

Strong female voice, a clear-eyed narrator examining self and family. Ash from the Eyjafjallajökull volcano fills the skies. Flights are grounded throughout Europe. Dessie, a cosmopolitan flight attendant from Canada, finds herself stranded in Addis Ababa -- her birth place. Grieving her mother's recent death, Dessie heads to see her grandfather, the Shaleqa -- compelled as much by duty as her own will. But Dessie's conflicted past stands in her way. Just as the volcano's eruption disordered Dessie's work life, so too does her mother's death cause seismic disruptions in the fine balance of self-deceptions and false histories that uphold her family. As Dessie reacquaints herself with her grandfather's house, familiar yet strangely alien to her diasporic sensibilities, she pieces together the family secrets: the trauma of dictatorship and civil war, the shame of unwed motherhood, the abuse met with silence that gives shape to the mystery of her mother's life. Reminiscent of the deeply immersive writing of Taiye Selasi and Arundhati Roy, Rebecca Fisseha's Daughters of Silenceis psychologically astute and buoyed both by metaphor and by the vibrant colours of Ethiopia. It's an impressive debut.

A timely novel about the hedge fund whale, Dale Paul, a witty, self-absorbed rogue and raconteur. Charm and boarding school connections to billionaire media personality Earl Lindquist aren't sufficient for Dale Paul to avoid being sent to an upstate New York white collar jail on multiple counts of fraud for gambling away US military pensions.Promising himself to earn back his son's previously gambled inheritance, Dale Paul dreams up an illegal lottery for his fellow inmates based on the death of old and frail celebrities.Disgraced and for once in his life, penniless, Dale Paul's relationships with his family deteriorate while he works on his scheme to make himself rich again.Win or lose, Dale Paul goes through a sea change that may (or may not) make a new man of him. But will the enterprising gambler get caught in his own con?

An anonymous writer stays up late into the night penning personal and inappropriate letters to a local public official. A new father and cook at a Montreal café chronicles the tyrannical rise of a new manager. An eccentric young student, in trying to carve out a space for herself, deals an existential blow to her roommate. Dead Flowers is a collection of stories featuring characters who have become estranged from the trajectory of their lives, yet must grapple with youth, love, isolation, drugs, friendship and the changing of seasons. These are stories of peripheral tragedies, moral ambivalence and compromise, chance and how we are shaped by what finds us.

The fourteen stories in this brilliant collection show Alice Munro coming home to southwestern Ontario, with Toronto looming on the horizon. Even “To Reach Japan,” where a Vancouver mother takes her young daughter across the country by train, ends in Toronto. On that journey, different kinds of passion produce surprises, both on the journey and at its end. The range of storytellers is astonishing, as we hear the young voices of women recalling their teenage years and the equally convincing voice of an old woman fighting Alzheimer’s. Margaret Atwood once shrewdly noted that “pushing the sexual boundaries is distinctly thrilling for many a Munro woman,” and very few of these stories deal with men and women in sedate, conventional domestic settings. Munro admirers will see that these stories are shorter than many in her recent col­lections, but they have all the sharpness, accessibility, and power of her earlier work, and they are—as always—full of “real” people. The final four works (“not quite stories”) bring the author home, literally. She writes: “I believe they are the first and last—and the closest—things I have to say about my own life.”

Three years into the second millennium, Majestic, Alberta is a farm town dealing with weakened crop prices, international borders closing to Canadian beef, and a severe drought. Older farmers worry about their way of life changing while young people concoct ways to escape: drugs, partying, moving away. Even the church is on the brink of closing. When local woman Annie Gallagher is struck by lightning while divining water for a well, stories of the town's past, including that of Annie and the grandmother who taught her water witching, slowly emerge as everyone gathers for her funeral. Told through the varied voices of the townspeople and Annie herself, The Death of Annie the Water Witcher by Lightning reveals Majestic to be a complex character in its own right, both haunted and haunting. Here, Audrey J. Whitson has written a novel of hard choices and magical necessity. It is as if the novels of Ami McKay took place in the West today.